Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age.
The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes.
Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.
Rezensionen / Stimmen
What does post post-modernism mean for fashion's status in a world gone awry from technological, environmental and political change? At a time of radical transitions, this fresh, authoritative and critically engaging volume brings together original contributions that address this philosophical concept and its impact on the ways that fashion and dress are perceived and consumed. Read and learn. * Vicki Karaminas, Massey University, New Zealand * This publication offers the reader a rich theoretical exploration of contemporary fashion with a good breadth of scope that encompasses exhibition and performance. Examining many of the issues pertinent to contemporary discourse, Fashion, Dress and Post-Postmodernism is an essential read for anyone researching or studying post-postmodernism and dress and fashion. * Gill Stark, Regent's University London, UK * The book is an essential and relevant theoretical source for the fashion and dress research sphere. There is no doubt as
to its importance for scholars on this particular topic, but also on broader issues such as post postmodernity and its implications, fashion curatorship, sustainability, and the climate crisis, fashion houses in the twenty first century, and sociological studies dealing with the practices of the new subject. * The Journal of Dress History *
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Illustrationen
Maße
Höhe: 232 mm
Breite: 154 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-350-21439-2 (9781350214392)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Jose Blanco F. is Professor and Department Chair at Dominican University, USA.
Andrew Reilly is Associate Professor at the University of Hawai`i at Manoa, USA.
Herausgeber*in
Fashion Institute of Technology, USA
University of Hawaii, Manoa, USA
Acknowledgements
List of Illustrations
Introduction
1. Fashion Phenomena and the Post-postmodern Condition: Inquiry and Speculation, Marcia A. Morgado
2.Fashion, Subjectivity, and Time: From Deleuze's Transcendental Empiricism to Lipovetsky's Hypermodernity, Eun Jung Kang
3. With No Twist: The Metamodern Sartorial Statement of Vetements, Alla Eizenberg
4. Intensified: Alessandro Michele's Hyperaesthetic at Gucci, Nigel Lezama
5. Hypermodern Branding: The Case of Uniqlo, Myles Ethan Lascity
6. Post-Postmodernity and South Asian Muslim Women's Fashion, Iqra Shagufta Cheema
7. Lights, Camera, Fashion: Tom Ford's A Single Man, Nocturnal Animals, and the Designer as Director, Grant Johnson
8. Seeing Selves: The Absent Body in the Museum and the Work of Exhibition Maker Judith Clark, Caroline Bellios
9. The Post-Postmodern Fashion Exhibition, Dennita Sewell
10. Counter-fashion, Abigail Glaum-Lathbury and Maura Brewer
Conclusion, Jose Blanco F
Bibliography
Index
