A taxidermied parrot, insulted by a stodgy uncle, comes violently alive and batters the poor fool to death with its beak. A terrible tyrant, Zar Palemon, presides over grotesque ritualized sex acts in his court-which is itself contained in a demonic gemstone the size of a fist. And deep in the Andes, in a hidden cave, an unremarkable house cat waits to trap its hapless victim with a Gorgon's gaze and engage him in a staring contest on which the fate of the cosmos just might depend.
Such are a few of the bizarre adventures found within Juan Emar's mind-bending collection of short stories, Ten. Allegory? Parody? Horror? Surrealism? Yes to all, and none of the above: where lesser writers mark their end-point, the unclassifiable Juan Emar jumps off, straight into the deep end. Life is far from still in Emar's world, where statues come alive, gaseous vampires stalk, and our hopes and fears materialize in a web of shocking interconnections unified by twisted logic and crystalline prose.
Now, Ten is available in English for the first time, deftly translated by Megan McDowell and with an introduction by Cesar Aira, who writes: "Emar has neither precedents nor equals; his echoes and affinities-Lautreamont, Macedonio Fernandez, Gombrowicz-flow from his readers' own inclinations." Byzantine and vivid, intricate and bizarre, this quiver of shorts by Chile's most idiosyncratic mad genius of literature will leave readers astounded for decades to come.
Rezensionen / Stimmen
"Juan Emar, ahead of his time, was no doubt writing for readers of the future, and it's as arrogant as it is exciting to suppose that those readers of the future are us." -- Alejandro Zambra "Juan Emar, the Chilean writer who bears a marked resemblance to the monument to the unknown soldier." -- Roberto Bolano "The forerunner of them all." -- Pablo Neruda "The wonder of Emar's universe doesn't derive from the numerological matrix of his structure, or even the secret code he used to criticize the literary conservatism of his day, but in his imagination, which explodes like the big bang and overflows, giving rise to all possibilities." -- Roberto Wong - Letras Libres "Emar has no precents, and no equals." -- Cesar Aira "Weird and charming." -- Hanson O'Haver - The Nation "Originally published in 1937, this collection by Emar (1893-1964) arrived at the height of the Modernist movement; his eeriness and fluid, satirical approach to storytelling put him in league with better-known European and North American contemporaries. Indeed, his work seemed to anticipate the elliptical style that would make Borges world famous... Offbeat yarns from a sui generis author." -- Kirkus Reviews "Emar's stories expand and surprise, so, even when one is alert to his penchant for trickery, their focus and direction remain unpredictable... It is this strangeness and lack of inhibition that makes his prose so captivating. We are lucky to finally have the short stories of this remarkable storyteller and thinker available in English." -- Colm McKenna - Times Literary Supplement
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 203 mm
Breite: 134 mm
Dicke: 13 mm
Gewicht
ISBN-13
978-0-8112-3207-4 (9780811232074)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Juan Emar is the pen name of Chilean writer, painter, and art critic Alvaro Yanez Bianchi. Born in Chile in 1893, he was a strong advocate of the artistic avant-garde of the 1920s and 30s, and his critical writings helped revolutionize the art scene in his country. Under-appreciated in his time, he is now considered to be one of the most important 20th-century Latin American writers. Megan McDowell has won the English PEN award, the Premio Valle-Inclan, and a 2020 Award in Literature from the American Academy of Arts and Letters; she also has been nominated four times for the International Booker Prize. She won the 2022 National Book Award in translation alongside Samanta Schweblin for Seven Empty Houses.
