In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK.
This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them.
Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens;
engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity.
Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Rezensionen / Stimmen
A necessary, nuanced and well heeled step in understanding the scope, diversity and impact of our art. * Cheddar Gorgeous * This is the drag book we have been waiting for: critical, entertaining, political. It provides us with a timely and much needed collection of analytical, provocative and engaging encounters with drag. Ranging widely over theoretical and methodological approaches, and drawing on and giving expression to a colourful cast of queens and kings, this book is a fabulous read with something for academics, activists, audiences and artistes alike. Unafraid to engage with the complexity of drag, it pushes at the paradoxes and potentialities of contemporary drag across diverse settings and in mainstream as well as countercultural formations. With a queer politics at its beating heart, it also puts drag to work in performing, challenging and understanding gender and sexuality in the 21st century. * Dr Cath Lambert, University of Warwick, UK * Kick off your heels, peel down your stockings and get your complexly gendered bare feet on the gorgeous sticky floors of this fantastic book. Ferociously sexy, rigorously theorized and joyously kinky, Contemporary Drag Practices and Performers is a major mapping of fierce gender-queer space. Take this book to bed right now and read it! * Tim Miller, performer and author of A Body in the O * Offers a nuanced cross-section of drag studies at a watershed moment when drag is increasingly being assimilated into mainstream Western visual and popular culture, and finding new homes in various cultural contexts, media and academic disciplines. As such, it is a valuable contribution to the literature in the field. * Continuum: Journal of Media and Cultural Studies * Edward and Farrier have edited a collection that offers both a taste of Drag for the uninitiated undergraduate and opens intriguing avenues for the more seasoned academic explorer and/or performer. * New Theatre Quarterly *
Reihe
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Illustrationen
Maße
Höhe: 216 mm
Breite: 138 mm
Gewicht
ISBN-13
978-1-350-08294-6 (9781350082946)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Mark Edward is a pracademic and a category dodger. His performance work in live art, contemporary dance performance, theatre, drag and post-modern choreography are often rooted in political and social narratives such as fat body shaming, age(eing) invisibility, homophobia, toxic and bruised masculinity, disability, mental health, class and him being neurodivergent as a ADHDancer and ADHDrag. He has featured in Attitude magazine, Scene magazine and GT magazine, and been interviewed for several BBC radio and TV documentaries, focusing on drag histories and activism, with drag performers Choriza May, Mutha Tucka and Miss Dixie Swallows. He has also featured in 'The History of Drag' documentary, alongside Boy George, lanah.p and Ginny Lemon. His research into drag cultures provided the content for the three-part BBC 'Drag Herstories' series. He is the author of the book 'Mesearch and the Performing Body' (Palgrave), and co-editor (alongside Professor Stephen Farrier) of the books 'Contemporary Drag Practices and Performers: Drag in a Changing Scene vol 1', 'Drag Histories, Herstories and Hairstories; Drag in a Changing Scene vol 2' and 'Drag: the Basics' (Routledge) with Professor Chris Greenough. He is the writer, and producer of the acclaimed immersive installation work 'Council House Movie Star' and the the first person to bring practical drag studies into higher education. He has performed with and worked for a range of arts organisations and artists including Rambert Dance, Senza Tempo Dance Theatre, Penny Arcade in her pivotal work 'Bad Reputation' and with the Australian performance activist Jeremy Goldstein in his 'Truth to Power Cafe'.
Stephen Farrier is Reader in Theatre and Performance at The Royal Central School of Speech and Drama, University of London, UK. With Alyson Campbell he has coedited Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (2015) as well as a themed edition of RIDE, The Journal of Applied Theatre and Performance named the 'Gender and Sexuality Issue'.
Herausgeber*in
Edge Hill University, UK
The Royal Central School of Speech and Drama, University of London, UK
List of illustrations
Acknowledgements
Notes on Contributors
Forward by Mark Ravenhill
Introduction by Mark Edward and Stephen Farrier
Chapter 1: Applying Foundation and Setting The Scene by Mark Edward and Stephen Farrier
Chapter 2: 'Dragging the Mainstream: RuPaul's Drag Race and Moving Drag Practices Between the USA and the UK' by Joe Parslow
Chapter 3: 'RACE FOR THE MONEY: The Influence of RuPaul's Drag Race on the Livelihood and Aesthetics of New York City's Drag Culture' by Kalle Westerling
Chapter 4: 'Hen.faChinoiserie Drag: Masquerading as the Oriental Other' by Rosa Fong
Chapter 5: 'It's Always Better Performing with the Troupe': Space, Place, and Collective Activism' by Jae Basiliere
Chapter 6: 'Of Hills and Wheels: Tilda Death in the IDF Disabled Veterans' Club' by Raz Weiner
Chapter 7: 'A Transfeminist Critique of Drag Discourses and Performance Styles in Three National Contexts (US, France and UK): from RuPaul's Drag Race to Bar Wotever' by Kayte Stokoe
Chapter 8: 'Not a cock in a frock but a Hole story. Holestar and the mark of the bio-queens' by Stephen Farrier
Chapter 9: 'Destabilisation through Celebration: Drag, Homage, and Challenges to Black Stereotypes in the Practice of Harold Offeh' by Kieran Sellars
Chapter 10: 'Gender Euphoria: Trans and Non-Binary Identities in Drag' by Olympia Bukkakis
Chapter 11: 'The Tranimal: Throwing Gender out of Drag?' by Nick Cherryman
Chapter 12: 'Drag Kings and Queens of Higher Education' by Mark Edward
Chapter 13: 'Drag publique: the spectacle of queerness, queer placelessness and the emaciated spectator' by Allan Taylor
Chapter 14: '"Blessed is the fruit" Drag Performance, Birthing, and Religious Identity' by Chris Greenough & Nina Kane
Notes
Bibliography
Index
