Collaboration and Co-Creation in Museums, Heritage, and the Arts examines collaborative practices in museums, heritage and the arts. It offers an interdisciplinary approach combining both practical and theoretical perspectives from leading scholars and practitioners to better understand and support co-creation and collaboration in the cultural sector.
The volume is divided into five parts, offering contemporary perspectives on core topics and their interconnections. Themes include the politics of engagement, sharing and recentring authority, decolonising research and practice, facilitating partnerships, and structuring cocreation, and community empowerment. Through global case studies and theoretical analyses, contributors explore the challenges and opportunities of collaborative practices, exploring intersecting dynamics, motivations and constraints. The book examines various scales of co-creation, from interpersonal dynamics to community contexts and institutional transformations. The work contributes to ongoing discussions about the future of cultural institutions and the role of culture work in fostering perspectives and practices informed by diverse perspectives and generating multiple values. It emphasizes co-production as a crucial capability for the sector moving forward.
Collaboration and Co-Creation in Museums, Heritage, and the Arts is essential for students, academics, communities and cultural practitioners interested in the complexities and rewards of collaborative work. It offers valuable insights into the theories and practices that shape collaborative projects across different cultural contexts and disciplines, making it an indispensable guide for anyone engaged in or studying the cultural sector.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Postgraduate
Illustrationen
1 s/w Tabelle, 23 s/w Photographien bzw. Rasterbilder, 23 s/w Abbildungen
1 Tables, black and white; 23 Halftones, black and white; 23 Illustrations, black and white
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 23 mm
Gewicht
ISBN-13
978-1-032-11861-1 (9781032118611)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Anna Edmundson is Curator, Public Programs, Access & Engagement at the National Archives of Australia (NAA) and an Honorary Lecturer in the Centre for Heritage and Museum Studies at the Australian National University (ANU).
Maya Haviland is Translational Fellow and Senior Lecturer in the Centre for Heritage and Museum Studies in the College of Arts and Social Sciences at the ANU.
Herausgeber*in
Australian National University (ANU).
Australian National University (ANU).
Acknowledgements; List of figures; Introduction: Towards Shared Ground: Collaboration and Co-Creation in Museums, Heritage, and the Arts; 1. Community Consultation to Co-Creation: a history of talking past each other?; 2. Context is everything: Museums and the politics of collaboration; 3. Socially Engaged Art Within and Beyond the Museum; 4. Seeding Authority: A Conversation on Museum Decolonisation in Hawai?i and Beyond; 5. Non-Colonial Indigenous Creative Action in Heritage Museums; 6. Collaboration as a Relational Process: Co-Creating Relationships and Making Connections; 7. Nuyayanlh, Learning How to Heal with Heritage with the Nuxalk First Nation; 8. Gulahallat - Discussing Community-based Co-acting, -knowing, and -thinking among Sami Research, Museum and Art; 9. Songlines Singing the Museum; 10. Co-Creation as relational relay: reflections on navigating across protocol, translation, time and space; 11. Digital Returns in the Archival Multiverse; 12. From Co-creation to Empowerment: Documenting the Genesis Myth in the Creation Ritual Poetry of the Indigenous Lotud People in Sabah, East Malaysia; 13. In the Way to Become Civic Museums; 14. 'The tikar not the table': community, collaboration and co-creativity in contemporary Southeast Asian art; 15. You Can't Always Collaborate Your Way Out! Reflections on the Ghetto Biennale; 16. Co-creating site-specific performances for social change - Reflections from participatory art experiences in Vanuatu and Senegal; 17. Engaging Young People in Heritage Contexts: design-led approaches to support collaborative participation within the cultural sector; 18. Dimensions of Curation Competing Values Model: A Gestation Story from Theory Development to Practice in Collaboration with Professional Communities; 19. Intangible Cultural Heritage as Co-creation: Challenges, Pathways and Conditions; 20. Co-creating heritage safeguarding and marketing strategies with communities in West Bengal, India: experiences from the HIPAMS project; 21. Emotions in Collaborative Museum Practice; Index.
