Develop the critical and creative skills to 'translate' a story from page to screen with this step-by-step guide to the process of screen adaptation you'll learn to:
- interrogate a novel or short story to release its 'inner film'
- convert fictional prose into visual drama
- overcome the obstacles presented by different media 'languages'
- approach key strategic decisions - both technical and interpretive
- draft and re-draft your plot, characters and dialogue
- professionally format and submit your finished script
In addition to examples taken from 'literary classics', contemporary novels, genre fiction, short stories, and biographical material, Marland and Edgar embrace the wider phenomenon of re-telling and updating existing stories, such as the 'appropriation' of popular figures, inter-film adaptation (sequels and 'reboots'), and development into other visual forms including graphic fiction and video games.
Whether you are producing a faithful adaptation of Tolstoy's War and Peace, or planning to pair up the crime-fighting duo of Sherlock Holmes and Batman, Adaptation for Screenwriters will be your guide.
Rezensionen / Stimmen
Marland and Edgar make a strong case for adaptation as the fundamental principle of screenwriting, and offer readers a practical framework for achieving it. * Simon Passmore, Senior Lecturer in Film, Westminster School of Arts, UK *
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Illustrationen
Maße
Höhe: 216 mm
Breite: 171 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-1-350-03667-3 (9781350036673)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, UK, with research interests and publications in screenwriting, prose fiction, radio drama, popular music memoir , the practice of film production, short film production and distribution, narratology and the theory and practice of comedy.
John Marland is a Senior Lecturer in Literature Studies at York St John University, UK, with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production.
Autor*in
Professor of Writing and Popular CultureYork St John University, UK
York St. John University, UK
Introduction
PART 1 - THEORY
1. Different Languages
Approaching Adaptation
Issues of Form
Channels of Communication
Case Study: Enduring Love, High-Rise
Exercises
2. The Challenge of Translation
Being Faithful
Finding the Film in the Book
Dramatizing the Page
Case Study: Kiss of the Spider Woman, Fight Club
Exercises
PART 2 - ADAPTATION
3. Narrative Re/Construction
Story and Structure
Culture and Context
Adapting to Genre
Case Study: The English Patient, No Country for Old Men
Exercises
4. Faithful Invention
Acts of Interpretation
Reframing - Prologues and Codas
Expanding the Short Story
Case Study: Don't Look Now, The Shawshank Redemption
Exercises
5. The Human Subject
Character - Surface and Depth
Screening Psychology
Capturing Conflict
Case Study: The Great Gatsby, The Talented Mr Ripley
Exercises
PART 3 - APPROPRIATION
6. Texts Unbound
Intertextuality
Customizing the Classic Text
Weaving Fact and Fiction
Case Study: Regeneration, The Hours
Exercises
7. Textual Play
Hypotextuality
Twelve Strategies
Fan Film
Case Study: Dr Frankenstein, Sherlock Holmes
Exercises
8. Other Forms
Stage to Screen
The Graphic Novel
Video Game to Film
Case Study: Alan Moore, Alien vs. Predator
Exercises
PART 4 - PRACTICE
9. Process
Assessing the Material
Centre and Circumference
Concept, Treatment and Pitch
Case Study: Original Material
Exercises
10. The Script
First Draft - Dialogue
Redrafting - From Scene to Scene
Final Draft - Self-Reflection
Case Study: Original Material
Exercises
