Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes.
Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Symbolism, Surrealism, and Pattern and Decoration Art, as well as the concepts and theories informing both the dominance and the dissolution of the modernist "grid" and hierarchical priorities. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction. A new chapter addresses the growing influence of the archetypal "shadow" and "shadow work" on Tarot as an artistic form, narrative genre, and practice in the new millennium.
Rezensionen / Stimmen
Reviews of the first edition: "a unique and specialized art history...unusual, fascinating, seminal, and very highly recommended"-Midwest Book Review.
Auflage
Sprache
Verlagsort
Zielgruppe
Für Beruf und Forschung
Interest Age: From 18 years
Produkt-Hinweis
Illustrationen
196 photos, appendix, notes, bibliography, index
Maße
Höhe: 254 mm
Breite: 178 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-1-4766-8679-0 (9781476686790)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Emily E. Auger (Ph.D.) is a retired art historian and author of numerous reviews, articles, and books. Founder and chair of the "Tarot and Other Divination Methods" area at the Popular Culture Association/American Culture Association (2004-2020), she lives in rural southwestern Ontario.
Table of Contents
Acknowledgments
Preface to the Second Edition
Preface to the First Edition
Introduction
One.?Tarot and Visual Art
Two.?Tarot and Literature
Three.?Tarot as Tarot
Four.?Tarot and the Archetypal Shadow
Conclusion
Appendix
Chapter Notes
Tarot Decks Cited
Meditation and Other Decks Cited
Bibliography
Index