Directing the Decades

Rezensionen / Stimmen

'A deeply personal confession of a long and tempestuous career in directing theatre and television; a brutally honest working-class manifesto which is as tumultuous and bohemian as any theatrical memoir you might have ever read. Dunderdale's writing shifts from a diligent to a profane tone, with constant bursts of unstoppable surprises, script analyses, shot lists, and interviews with practitioners - Directing the Decades is never didactic, but full of important, necessary, and topical insights on British Directing.'

George Rodosthenous, University of Leeds, UK

'This book of reflection and achievement will be a powerful tool for those who have come from working class backgrounds and realise that their voices and abilities have ground for development and success. This is a wonderful and very honest account of theatre and its ups and downs, its challenges and frustrations, its artistic rewards and colossal demands. This will be a reference book for many.'

Ken Robertson, Senior Lecturer in Acting, Arts University, Bournemouth, UK

'I must try to explain why this book is extraordinary. [...] Dunderdale is both forthright and self-critical, unblinking about the sad truth that 'at the heart of the English arts establishment is an attitude towards the work that does not sit easily with someone from a working-class background'. [...] Directing the Decades conceals nothing from its readers, but it is the life story of a director who happens to be called Sue Dunderdale. The working-class daughter of elderly parents followed the star which led her to study English and Drama at Manchester in the fervent years of the 1960s. The University Theatre, opened in 1965, became her discovery space. When she directed Ionesco's The Killer, the die was cast. [...] It is rarely the business of autobiographies to instruct their readers, and Dunderdale's instinct to teach diverts Directing the Decades from the straight path of autobiography. Whole chapters are devoted to the setting out in detail of her directorial method. She is not telling her readers to do the same, but she is insisting on the teleological imperative that directors should obey. It speaks volumes for the generosity that motivates this book that its final chapter assembles the thoughts and hopes of the younger, in some cases the youngest, generation of directors.'

Peter Thomson, Emeritus Professor of Drama, Exeter University, UK

'I loved it. Anyone interested the future of British drama and its recent past should get a copy. Illuminating and thorough, especially in regard to funding of the arts, what it offers and takes away. Personally revealing and brave. [...] I am a fan. Any student - or ambitious would-be director - should get out their pennies and buy it.'

Richard Ireson, Director and Agent

"A passionate, honest and inspiring account of the role of the director in theatre, television and film. Sue Dunderdale skilfully combines a detailed memoir of her career and struggles as a female director from working-class origins with a series of insights into various practical aspects of being a director such as breaking down a text into sections in order to explore it and planning a camera script. Informed throughout by the belief that who you are as a person makes you the director you are, she is clear-eyed and frank about both her faults and her strengths, her successes and her failures. But this is not a backward-looking book. An inspiring and experienced teacher, she looks also towards the future and what younger directors can achieve there. Beautifully written and packed with fascinating insights, this is a book that every would-be director and everyone interested in understanding the craft of the director should read."

Stephen Wyatt, award-winning writer for radio, theatre and television

"Directing the Decades is a fascinating insight into what directing is all about, as well as a great biography. I will recommend it to all RADA library users."

Jean Madden, Librarian, Royal Academy of Dramatic Art (RADA)

"Sue's career, intellect, and integrity speak for themselves. She has written a superb and meaningful account of a period of change which has transformed the old norms of performance art in all its guises. This book is a stark reminder that we must keep up with the young talent of today - many of whom have benefited from Sue's superb directing, mentoring, and teaching. I have enjoyed every word of it."

Nicole Penn-Symons, solicitor and former board member of the Women's Playhouse Trust