Liszt and Virtuosity

Rezensionen / Stimmen

The book brings together these insights by the world's most important Liszt's scholars and performers. [...] [This book] deepen[s] our understanding of the concept of virtuosity and of different approaches [and] re-evaluates virtuosity, specifically its given definitions and practices, through Liszt's own understanding in connection to his contemporaries -- NINETEENTH-CENTURY MUSIC REVIEWS This splendid volume dispels any lingering prejudices against nineteenth-century piano virtuosity and especially against Franz Liszt--often suspected of practicing a musical dark art. By casting new light on Liszt's singular virtuosity in essays on his instruments, technique, and teaching through to his revolutionary compositional aesthetic, the internationally distinguished authorship aspires to a level of understanding no less transformational than the work of the spectacular figure at center stage. * John Rink, Professor of Musical Performance Studies, University of Cambridge * There is a lot to think about in this volume. It is dense and rich, well researched, and thoughtful. Perhaps it is virtuosic in its own way, with its apparent casual command of fine detail. This is the kind of collection where single lines might spark new scholarship. * MUSIC & LETTERS * Doran has organized the collected articles thoughtfully. The early chapters help to prepare for the later chapters [so] the whole is greater than the sum of its parts. [The chapters] work together to impart a clarified understanding of Liszt's attitudes towards difficulty in piano music. * JOURNAL OF THE AMERICAN LISZT SOCIETY *