Video Production Techniques is an essential guide to the art and craft of video production. It introduces students to the theoretical foundations as well as the practical skills needed to make a successful video project.
The opening chapter introduces the reader to the language of motion pictures and sets the stage for effective visual storytelling. Unit I guides students through the theory, techniques, and processes of writing, shooting, and editing video productions. Unit II expands on these basic principles to explore the crafts of sound recording/design, lighting, and directing. Unit III surveys the industries, formats, and methods for creating fiction and nonfiction programs. The final unit of the text examines options for distribution and career opportunities in video production.
Newly updated and revised, the second edition of Video Production Techniques unifies theory and practice for instructors and students. It is a great tool for use in introductory-level video production courses and for the independent learner.
The accompanying companion website features instructor resources including a sample syllabus, quiz bank, sample assignments, and PowerPoint slides for each chapter, alongside illustrative video demonstrations for students.
Rezensionen / Stimmen
"Video Production Techniques is a very comprehensive and thorough tool for use by aspiring digital media producers. I am recommending this production guide for my digital journalism classes and for my senior level production course. I will also be adding it to my personal library of reference materials."
Bob Judson, Professor of Practice, Georgia State University and Managing Director, GSUTV
Praise for the previous edition:
"The modest title of this book doesn't begin to reflect the ambitious scope of its design. From heady aesthetic theories to an explanation of the LLP form, Video Production Techniques provides one-stop shopping for theory, production, and business. Students of media criticism and the media industry would benefit from this book as much as students of production. After twenty-five years of teaching, I learned a lot from reading it." Robert Thompson, Director, Bleier Center for Television & Popular Culture, Syracuse University
"In the ever-evolving business of television and film, it's nice know that there is a source so accurately assembled, so dense with dynamic information, and at the end of the day, easy and enjoyable to read. Donald Diefenbach has put together an invaluable guide that I'm sure will be the bible for both young and experienced filmmakers alike." Brett Weitz, Executive Vice President of Original Programming, TBS
"I've been reading books that tell you how to make movies since the 1960s and this is far and away the best I've encountered. It covers every aspect of the film and video making process in a fresh, authoritative, readable and clear fashion. It doesn't forget the art of film while teaching the craft of it." Ken Hanke, Film Critic and Author
Auflage
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Further/Vocational Education
Illustrationen
4 s/w Zeichnungen, 174 s/w Photographien bzw. Rasterbilder, 178 s/w Abbildungen
4 Line drawings, black and white; 174 Halftones, black and white; 178 Illustrations, black and white
Maße
Höhe: 250 mm
Breite: 175 mm
Dicke: 22 mm
Gewicht
ISBN-13
978-1-138-48424-5 (9781138484245)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Donald L. Diefenbach is a professor and chair of Mass Communication at the University of North Carolina Asheville. His video production credits include educational, corporate, and nationally broadcast programming. His research focuses on cultivation analysis and media portrayals of mental health issues. He teaches courses in media literacy, video production, and film studies.
Anne E. Slatton is an award-winning writer and director. She teaches video production and film studies at the University of North Carolina Asheville. Her production work in film and television includes directing, writing, and producing. A frequent panelist on issues of diversity and women in film, her scholarly works include book entries on Sofia Coppola and Lorraine Hansberry.
Preface
Acknowledgments
CHAPTER 1 Introduction to video production
UNIT I
THE BASICS
CHAPTER 2 Writing
CHAPTER 3 Shooting
CHAPTER 4 Editing
UNIT II
EXPANDING THE BASICS
CHAPTER 5 Sound
CHAPTER 6 Light
CHAPTER 7 Directing
UNIT III
FORMS
CHAPTER 8 Fiction
CHAPTER 9 Nonfiction
UNIT IV
BEYOND PRODUCTION
CHAPTER 10 Marketing and distribution
CHAPTER 11 Professional and career opportunities
Glossary
Index
