Focuses on the aural elements which combine with moving images.
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.
Key Features
Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.
Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.
Provides a new platform for discourse on how aural elements combine with moving images.
Reihe
Sprache
Verlagsort
Zielgruppe
Für die Erwachsenenbildung
Maße
Höhe: 244 mm
Breite: 172 mm
ISBN-13
978-1-4744-3937-4 (9781474439374)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.
Herausgeber*in
Professor of Post-ProductionBournemouth University
DirectorSchool of Sound
Independent writer and film historian
Symphonies of Noise: The Urban Soundscape in Rouben Momoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight Dominic Power
Music as an element of narration in poetic documentariesKerstin Stutterheim
Embodied Resonances: The Sonic Pathways in Jean-Marc Vallee's film Wild Alison Walker
Shepard tones and production of meaning in recent films: Lucrecia Martel's Zama and Christopher Nolan's DunkirkEleonora Rapan
From 'Screenwriting for Sound' to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer
Some Notes on the use of Voice-OverRoger Crittenden
Approaches to Sound Design: Murch and BurttGustavo Costantini
Presentation to the School of SoundPeter Sellars
