Focuses on the aural elements which combine with moving images.
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.
Key Features
Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.Provides a new platform for discourse on how aural elements combine with moving images.
Reihe
Sprache
Verlagsort
Zielgruppe
Maße
Höhe: 244 mm
Breite: 172 mm
ISBN-13
978-1-4744-3936-7 (9781474439367)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.
Herausgeber*in
Professor of Post-ProductionBournemouth University
DirectorSchool of Sound
Independent writer and film historian
The Soundscape in Michelangelo Antonioni's Cinema, Roberto Calabretto;
An Interview with Hans Peter Kuhn, Hans Peter Kuhn;
Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design, Emre Caglayan;
Internal Soundscapes: An Interview with Dan Jones, Dan Jones;
From Sync to Surround: Walt Disney and its Contribution to the Aesthetics of Music in Animation, Laura Lazarescu-Thois;
Engagement versus Immersion, Stephen Deutsch;
Unplugging the Matrix, Steve Rafter.
