Producing for the Screen is a collection of essays written by and interviews with working producers, directors, writers, and professors, exploring the business side of producing for film and television.
In this book, over 30 industry professionals dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of producing, and money management while pursuing producing as a profession.
Written for undergraduates and graduates studying filmmaking, aspiring producers, and working producers looking to reinvent themselves, Producing for the Screen provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Illustrationen
1 s/w Zeichnung, 17 s/w Abbildungen, 16 s/w Photographien bzw. Rasterbilder
1 Line drawings, black and white; 16 Halftones, black and white; 17 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-0-367-02460-4 (9780367024604)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Amedeo D'Adamo currently teaches in the Directing discipline at the American Film Institute and filmmaking and producing at Universita Cattolica, Milan: he is also the Lead Teacher for the studio-funded Native American Feature Film Writers Lab in Los Angeles. He was the Scientific Director of the EU-funded Feature Development Program Puglia Experience (2008-2011) and the founding Dean and then President of the original Los Angeles Film School, where he also co-created and ran the Feature Film Development program. He has also taught at many universities and labs including Royal Holloway, Universita Svizzera and the University of Zurich, and with his wife Nevina Satta he designed and ran both the University Feature Development Lab and the University Doc Lab for the Locarno Film Festival. Together they also co-founded The Traveling Film School, a non-profit organization that provides free film and theater training to children in underdeveloped regions; it has built small tuition-free film schools in Cameroon and Sardinia. His book Empathetic Space on Screen (2018: Palgrave Macmillan) is about how character is expressed through production design, cinematography, and soundtrack. His features have been seen in festivals such as Rome, Miami, Austin, Torino, and others.
Herausgeber*in
Universita Cattolica del Sacro Cuore, Italy
Foreword Acknowledgements Introduction CHAPTER 1: GETTING STARTED CHAPTER 2: STICKING IT OUT CHAPTER 3: FINDING SUCCESS CHAPTER 4: GETTING AHEAD CHAPTER 5: STARTING AGAIN CONCLUSION RECOMMENDED RESOURCES
