This book is a timely and thought-provoking book and an important contribution to the expanding transdisciplinary field of Deaf Studies. Authors, most of whom are Deaf, critically examine aspects of Deaf culture, reflect on diversity within the Deaf community, and advocate for the recognition of Deaf people as a linguistic-cultural minority. Grounded in critical pedagogy as its theoretical framework, the book highlights the persistent oppressive forces faced by Deaf people and also the challenges to these oppressive forces to promote social justice through acts of resistance and affirmation, particularly expressed through the arts, including music.
Rezensionen / Stimmen
"Culture, Deafness & Music: Critical Pedagogy and a Path to Social Justice is an inexhaustibly fascinating and pathfinding collection; its overall message is direct, like a hammer blow on an iron girder, an indomitable force dedicated to dismantling grave injustices and nurturing the fertile ground of an inclusivity infused society. [...] This collection of works is brilliantly conceived, pleasurably unpredictable, filled with granular descriptions of the lived experiences and real-life struggles of Deaf people who are contributing to the Deaf community and to those outside the Deaf community in a myriad of ways, through theater, poetry, fiction writing, acting, music and serving as activists and advocates for Deaf people worldwide. The thematic weight of this volume is kept comfortably afloat by chapters that are beautifully written and filled with the roar of dissidence. This is not a book for the tranquil mind."- Peter McLaren (Professor Emeritus, University of California Los Angeles, USA) from the Foreword.
"This book and its authors have thus made a significant contribution towards the important task of assisting Deaf Studies and other Deaf domains to understand power relationships throughout history-including Deaf histories-in order to embrace these ongoing challenges and advance towards a more positive future."- Paddy Ladd (former Reader, Centre for Deaf Studies, University of Bristol, UK) from the Afterword.
"Culture, Deafness & Music: Critical Pedagogy and a Path to Social Justice addresses issues that are part of the core of contemporary views of being Deaf in today's society from a Deaf perspective. Audism has always been a central part of this perspective: it has been the gist in shaping the everyday life of a Deaf person. This book, through the contributors' powerful thoughts, is a vehicle to bring this reality to us while making the Deaf consciousness of life and culture present in our views in order to break the irony of oppressions fashioned from a hearing perspective." -Ronice Mueller De Quadros (Universidade Federal de Santa Catarina, Brazil).
"Culture, Deafness & Music: Critical Pedagogy and a Path to Social Justice is the first book of its kind to engage with the lives and liberation stories of Deaf people in education through the lenses of critical pedagogy and the arts. It is personable, powerful, and thought provoking, including chapters about music, poetry, and even humor as emancipatory forms of art and critical pedagogy in the Deaf community. It is a must read for practitioners and scholars of education."- Tricia Kress (Molloy University, USA)
"That's really very informative! I believe this book will be of great help to readers in making connections between the events described in each chapter concerning the Deaf community. All contributions to the book are organized in a manner that facilitates understanding of how the Deaf community is constructed, perceived, maintained, and preserved for the sake of younger generations. It has been challenging for members of the Deaf community to hold their ground in mainstream society in affirming their linguistic and cultural identity through not just longtime advocacy, but also through poetry and music. It is also imperative not to ignore but to recognize the diversity and differences within the Deaf community."-Anthony Chong (Monash University Malaysia)
"The frameworks presented in this edited volume provide fresh ways of critically viewing phenomena that have not been fully elucidated in Deaf Studies. The material does not just correct the lens through which the hearing view the Deaf person and, specifically, the Deaf artist; it also shows the Deaf person an insightful way to view the Deaf Self. This work calls the hearing to stand alongside the Deaf in their communities in naming their world and being radical. Together, they can end the marginalization of the Deaf and the lack of official recognition of their sign languages. This work is a valuable reader for the collection of any scholar in Deaf Studies and anyone who has an interest in the area." -Keren Cumberbatch (The University of the West Indies, Jamaica).
Reihe
Sprache
Verlagsort
Zielgruppe
Für Beruf und Forschung
Für höhere Schule und Studium
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Maße
Höhe: 239 mm
Breite: 157 mm
Dicke: 26 mm
Gewicht
ISBN-13
978-90-04-69228-2 (9789004692282)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Ana L. Cruz, Ph.D., is an educator and researcher with scholarly interests in critical pedagogy, the work of Paulo Freire, and music & deafness. In 2022 she was the recipient of the Paulo Freire Democratic Project Award of Social Justice.
Foreword
?Peter McLaren
Preface
Acknowledgements
About the Cover Art
?Nancy Rourke
List of Figures and Tables
Abbreviations
Notes on Contributors
Introduction: The Tapestry of the Deaf Soul
?Ana L. Cruz
Part 1: Encounters in Deaf Culture
1 Beyond Culture: Deaf Studies and the Deaf Body
?Douglas C. Baynton
2 Diasporic Deaf Places and Spaces: A Comparative Overview of Sign Languages
?Joseph C. Hill
3 Black and Deaf in the United States: Call for Research Exploring Intersecting Identities
?Lindsay M. Dunn and Kari F. Cooke
4 The Notion of Deaf People as Disabled and the Emergence of Deaf Culture in China
?Junhui Yang
Part 2: Deaf Art: Affirmation, Resistance, and Liberation
5 Deaf Humor as a Political Tool
?Rachel Sutton-Spence
6 'Here Are My Wings': Deaf Women's Liberation through the Poetry of American Sign Language and Written English
?Karen Christie and Dorothy M. Wilkins
7 The Transformative Power of Deaf Theatre
?Aaron W. Kelstone
8 De'VIA as an Art Form and a Form of Activism
?Patti Durr
Part 3: 'Deaf Music:' Visions, Possibilities, and Social Justice
9 Signed Music and the Deaf Community
?Jody H. Cripps, Anita Small, Ely Lyonblum, Samuel J. Supalla, Aimee K. Whyte and Joanne S. Cripps
10 Make the Sign, Make the Mark, Play the Music: Teach the World
?Marko Vuoriheimo
11 Silence as a Powerful Cultural Mark: Critical Pedagogy, Music, and Radical Deaf Studies
?Ana L. Cruz
Part 4: Understanding the Auditory System and Portraying the Diversity of Deaf Voices through Research
12 Understanding the Auditory Pathway and Hearing Loss
?Wafaa Kaf
13 Analyzing the Meaning of Numbers and Words to Portray Deaf Experiences
?Stephanie Cawthon
Afterword
?Paddy Ladd
Appendix A: De'VIA Manifesto
Appendix B: Manifesto of Surdism
Appendix C: Music for the Deaf: A Qualitative Approach
?Ana L. Cruz
Index