Now in a fully revised and updated new edition, Sport and Film examines the social, cultural, historical and ideological significance of representations of sport in film around the world. It is an essential guide for all students and enthusiasts of sport, film, media and culture.
The book traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid-1920s in Hollywood films such as Harold Lloyd's The Freshman, to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby and The Fighter to more recent films such as Creed and Free Solo. Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and national culture. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. This new edition also includes a new chapter on sport documentaries, a consideration of Russian sport cinema, and new pedagogical features - including review questions, proposed projects, case studies and definitions of key terms - to enhance the reader's understanding.
Comprehensive, authoritative and accessible, this is an essential text for any course on sport media, and invaluable reading for general courses on sport and society, film studies or cultural studies.
A dedicated website with further resources is available at sportandfilm.eu.
Reihe
Auflage
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Postgraduate and Undergraduate
Illustrationen
22 s/w Abbildungen, 21 s/w Photographien bzw. Rasterbilder, 1 s/w Zeichnung
1 Line drawings, black and white; 21 Halftones, black and white; 22 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Gewicht
ISBN-13
978-1-032-29483-4 (9781032294834)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Sean Crosson is Associate Professor of Film in the Huston School of Film & Digital Media at University of Galway, Ireland. His main research interest over the past twenty years has been the examination of the representation of sport in film. He is leader of the Sport in European Cinema project (https://sportandfilm.eu). He has also uncovered important historical depictions of sport in film, particularly Gaelic games, and his research has been featured in national and international media, and several sport-related documentary projects, including as writer and co-producer of the mini-series Iomanaiocht Hollywood: Cluichi Gaelacha ar Scannan / Hollywood Hurling: Gaelic Games on Film (2025) produced for Irish broadcaster TG4.
Autor*in
National University of Ireland, Galway
Introduction: Why Sport and Film?, 1. Reading the Sports Film, 2. Early Cinema and the Emergence of the Sports Film, 3. The Sports Film Genre, 4. Race, Social Class and the American Dream in the Sports Film: 'Truths that Tell a Lie', 5. Gender and the Sports Film, 6. The Sports Film, National Culture and Identity, 7. The Cinematic Sports Documentary, Conclusion: Trump 2.0 and the Contemporary Mainstream Sports Film