Philip de Laszlo(1869-1937) is among the most celebrated British portraitists of the first half of the twentieth century. He portrayed the leading figures of his generation, including actresses, dictators, scientists, writers, politicians, princes and society figures. This fascinating introduction to his work takes us from his humble beginnings in Budapest and his student years in fin de siecle Paris and Munich, to his success as a society painter with commissions to paint kings, queens, presidents and two popes. In 1907 de Laszlo settled in England, where he began to move away from his sober early style towards bravura portraiture in the grand manner. On the retirement of John Singer Sargent he became Britain's most favoured portraitist, and his sittings book not only remained full for the next two decades, but in 1930 he succeeded Walter Sickert as President of the Royal Society of British Artists. This publication concentrates on de Laszlo's British career - astonishingly prolific years of great artistic achievement.
The National Portrait Gallery, London holds twelve portraits by the artist, from a complete oeuvre of some 5,000 works, along with a collection of his correspondence. Dr Caroline Corbeau-Parsons, drawing on the artist's papers and diaries, sets this work in the context of British art history and considers de Laszlo's art as the last great flowering of a style stretching back to Van Dyck. This publication, and the display it accompanies (27 March-5 September 2010), will help to re-establish de Laszlo's reputation alongside Sargent, Sir John Lavery and Giovanni Boldini as one of the foremost portraitists in early twentieth-century Britain. It includes the following list of illustrations: Laura Galambos, 1889; Chlodwig, Prince of Hohenlohe-Schillingsfurst, 1899; A Woman from Biskra, 1923; Self-portrait with his Wife and Son, 1918; The Last Days at Chequers, 1920; 5th Marquess of Lansdowne, 1920; Duchess of Portland, 1912; Jerome K. Jerome, 1921; Stephen de Laszlo, 1919; John de Laszlo, 1918; The First Drawing Lesson, 1919; Lucy de Laszlo, 1918; Faith Moore, 1920; 5th Marquess of Lansdowne, 1920; and, The Duchess of York, 1925.
Sprache
Verlagsort
Illustrationen
Maße
Höhe: 270 mm
Breite: 216 mm
ISBN-13
978-1-85514-425-5 (9781855144255)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Klassifikation
Dr Caroline Corbeau-Parsons is a leading de Laszlo scholar. She is the British & French editor of the catalogue raisonne of his work, and collaborated with Duff Hart-Davis on the forthcoming definitive biography of the artist (Yale, spring 2010). Sandy Nairne is Director of the National Portrait Gallery and was formerly Director of Programmes at the Tate. He has written extensively on portraiture and contemporary art.
The Life of Philip de Laszlo Forewords by Damon de Laszlo and Sandy Nairne Philip de Laszlo Portraits [art-historical essay] Plates Further reading