The Karen Bronze Drums of Burma defines the development of the Karen Bronze Drums (Heger Type III) during the past eight hundred years, as the continuation by a hill tribe group, of the earlier "Dong Son" tradition. Its chronological development is traced through seven stages by applying a method of intensive motivic analysis to data collected from 370 drums. Four new subtypes are defined and their interrelationships are demonstrated by use of tables, figures, and plates. The meaning of these motivic changes together with early accounts of Karen culture are used to establish that the drums were symbolically a magic pond that the Karen ritually manipulated to assure prosperity.
Rezensionen / Stimmen
The book was nominated for the Ethnographic Musical Studies Award.
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Produkt-Hinweis
Illustrationen
59 Abb., 32 Tab., 39 Taf., 1 Frontispiz
Maße
Höhe: 235 mm
Breite: 155 mm
Gewicht
ISBN-13
978-90-04-09933-3 (9789004099333)
Schweitzer Klassifikation
Richard M. Cooler, Ph.D. (1979) on Asian Art History, Cornell University, is Director of the Center for Burma studies, and Professor of Art History at Northern Illinois University. His interests focus on the interrelationship of art and culture in Southeast Asia.