Harry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign, supporting his New Deal legislation in successful Great Depression musicals like 42nd Street, Gold Diggers of 1933, and Footlight Parade. But while the Warner brothers posed as exemplars of the New Deal in real life and in their movies, they were attempting to reverse Roosevelt's policies within their studio and their industry.
Using newly unearthed primary sources, this ground-breaking book examines the bitter and little known struggle in Hollywood and Washington D.C. during 1933 to create a National Recovery Administration (NRA) code of practice for the motion picture industry. But through the manipulation of New Deal legislation, Harry and Jack Warner, along with other studio moguls, sought to curtail workers' rights and salaries instead of bolstering both sides of the labour/management divide as they were supposed to do under NRA regulations, attempting to serve the economic pain of the Depression as much as possible onto artists and craftsmen, not owners or management. With its tales of Hollywood stars and employees fighting to win a fair share of the proceeds of their labour, the creation of the NRA code makes for an intriguing story of financial survival, political intrigue and backstabbing during the worst of the Great Depression.
Rezensionen / Stimmen
Using an extensive variety of sources judiciously, Harvey G. Cohen is able to demonstrate, in a most persuasive manner, the complex ways in which these three film musicals of 1933 played out wider struggles in American society in the midst of the Great Depression. The author ably analyses how the complex interweaving between political, economic and aesthetic factors were so closely interlinked in these films, and the ramifications in the wider political arena. Notions of 'pure entertainment' are thus shown up to be much more complex than they might, at first sight, appear, and this book demonstrates in great detail how light-hearted musicals can have more depth than their glossy surface might initially suggest. -- Allister Mactaggart, Chesterfield College * Cercles * Harvey G. Cohen's Who's In the Money? is a brilliantly written and thoroughly researched study of such classic Great Depression era musicals as Footlight Parade and Gold Diggers of 1933. The cast of characters in these pages - Franklin Roosevelt, Walt Disney, James Cagney, Upton Sinclair, Hugh Johnson, among others - is extraordinary. Cohen's enthusiasm for his topic is self evident. Highly recommended!' * Professor Douglas Brinkley, Rice University *
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
10 black and white illustrations
Maße
Höhe: 231 mm
Breite: 155 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-1-4744-2941-2 (9781474429412)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Harvey G. Cohen is a Senior Lecturer in the Department of Culture, Media & Creative Industries, King's College London. He is the author of numerous journal articles and book chapters and his monograph Duke Ellington's America (University of Chicago Press, 2010) was named one of the best books of the year by the Washington Post.
Introduction1: The Warners And Franklin Roosevelt2: The Great Depression Musicals3: Footlight Parade4: On the Job5: The Nra Code6: Post-1933: A Conclusion
