From the translator's note when this book was originally published in 1921:
"The contents of this volume have not previously been translated into English. The first section consists of Tchekhov's Note-books, in which, from 1892 to 1904, he jotted down thoughts, quotations, etc., which were the raw materials of his writings. The second section - Themes, Thoughts, Notes, and Fragments - was found among his papers, written on sheets in a special cover with that title. It contains material somewhat more elaborated than that in the Note-books. It was his habit, if he used any of this material, to strike it out in the Note-books. Both the Note-books and the Themes were first published in Russia in a volume of Tchekhov's literary remains in 1914. We have added some reminiscences of Tchekhov by Gorky, which appeared in Russia in 1906, but which have not been translated into English."
Sprache
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 203 mm
Breite: 127 mm
Dicke: 7 mm
Gewicht
ISBN-13
978-1-4102-0289-5 (9781410202895)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
One of the finest authors of all time is Anton Pavlovich Chekhov, a Russian playwright and short-story writer who lived from 29 January 1860 to 15 July 1904. His four plays from his theatrical career are considered classics, and writers and critics highly regard his best short stories. Chekhov is sometimes listed as one of the three key figures in the development of early modernism in theater, together with Henrik Ibsen and August Strindberg. Chekhov was a medical practitioner by trade. "Medicine is my lawful wife," he once stated, "and literature is my mistress." Chekhov delivers a "theatre of mood" and a "submerged life in the text" in place of traditional action in these four works, which poses a challenge to both the playing group and the spectator. Chekhov's plays evoked a little eerie mood for the audience while remaining simple and easy to follow. At initially, Chekhov wrote stories to get money, but as his desire to express himself creatively grew, he introduced formal changes that helped shape the development of the contemporary short story. He insisted that an artist's job was to pose questions, not to provide answers, and offered no apology for the challenges this presented to readers.
