A Reflection Through Fashion Upcycling: The Archive in Pieces stands as a seminal work at the intersection of fashion studies, material culture, and sustainability discourse. Authored by a distinguished award-winning practitioner, this groundbreaking text offers a richly detailed examination of fashion upcycling through a historical and material culture lens.
At its core, the book transcends the traditional confines of sustainable fashion discourse by delving into the profound complexities of reuse and material culture. Drawing from a curated archive of garments dating from the late 19th to early 20th centuries, it traces the symbolic and tactile journey of deconstructing clothing and repurposing through contemporary design. The book's originality lies in its synthesis of academic research and studio practice, positioning fashion upcycling as an intellectual and ethical act. By recontextualising garments through experimental design, it offers fresh insight into the potential of upcycling as a means of historical preservation, critical inquiry, and cultural storytelling. The author combines rigorous scholarship, studio-based experimentation, and intimate engagement with historical artefacts to uncover layered narratives embedded within textiles. By challenging narrow interpretations of sustainable fashion, the work presents upcycling as a nuanced dialogue between past and present, ethics and aesthetics, materiality and meaning. Through its interdisciplinary approach and meticulous scholarship, it charts a path towards a more considered, sustainable and conscientious future for the fashion industry.
Bridging design, history, practice and ecological awareness, A Reflection Through Fashion Upcycling offers a rigorous yet accessible examination of fashion upcycling as a site of intellectual inquiry and ethical engagement - making it essential reading for scholars, researchers, and practitioners alike, and perfect for fashion enthusiasts and anyone intrigued by stories woven into fabric.
Rezensionen / Stimmen
A Reflection Through Fashion Upcycling is one of the rare books that explores how to build an intuitive relationship with worn garments that bear the texture of time. Rachael Cassar examines the aesthetic and emotional dimensions of touching the past through every detail-from stitch marks to fragments of thread. This work serves as both a creative journal and an inspiring, transformative resource for those interested in deep partnerships with archival objects. By positioning upcycling not merely as a technique but as a critical, reflective, and practice-driven methodology, the book makes a significant contribution to the fields of fashion, design, and memory studies.
Dr. Sanem Odabasi, Assistant Professor of Textile and Fashion Design at Eskisehir Technical University
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Academic and Postgraduate
Illustrationen
99 farbige Abbildungen, 99 Farbfotos bzw. farbige Rasterbilder
99 Halftones, color; 99 Illustrations, color
Maße
Höhe: 234 mm
Breite: 156 mm
ISBN-13
978-1-032-90613-3 (9781032906133)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Rachael Cassar is a pioneering upcycler designer and a Lecturer at University of Technology Sydney. Her work merges sustainability with high-end fashion, challenging fast fashion and embracing creative reuse. Her research interests are rooted in a long-standing commitment to fashion and sustainability, shaped by her extensive experience designing exclusively with archival fashion, textiles and accessories. Since 2006, Rachael has pioneered the integration of 'upcycling' as a core methodology within fashion, creating high end fashion from discarded garments and enhancing students' understanding of sustainable design principles. Internationally recognised, she champions a future where fashion is both environmentally conscious and artistically expressive.
1. Introduction - Material Entanglements and the Archive of Memory 2. Methods of Upcycling 3. Reading of the Piece: The Experience of Working with Materiality Belonging to a Deceased Estate 4. The Leftovers: Archive Object Detritus 5. Designing With Decaying, Unravelling Materials 6. Good Flowers Debris: Caring for Process Rubble 7. The New Archive (2023) 8. Conclusion: An End.... But also, a Beginning
