Purses and bags have always been much more than a fashion accessory.
For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality.
The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality.
Kathleen Casey closely examines a variety of sources-from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change.
Rezensionen / Stimmen
Gives voice to people often overlooked in traditional historical narratives... Fascinating, challenging commentary of social mores runs throughout. * Rachel Jagareski, Foreword Reviews * An enlightening exploration of the background of an everyday object; perfect for fans of gender and fashion history. * Tina Panik, Library Journal *
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Illustrationen
Maße
Höhe: 226 mm
Breite: 152 mm
Dicke: 23 mm
Gewicht
ISBN-13
978-0-19-758782-9 (9780197587829)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. She is the author of The Prettiest Girl on Stage is a Man: Race and Gender Benders in American Vaudeville.
Autor*in
Director of the Women's, Gender, and Sexuality Studies Program and Professor of HistoryDirector of the Women's, Gender, and Sexuality Studies Program and Professor of History, Furman University
Acknowledgements
List of Figures
Introduction: The Possibilities of the Purse
Chapter 1: 'This Sack So full': Enslaved Women's Use of Bags in Antebellum America
Chapter 2: Purses and Pathbreaking Women
Chapter 3: Working Women: Space and Pocketbooks at the Turn of the Century
Chapter 4: The Bag and the Body: Purses and Personal Hygiene
Chapter 5: Pickets, Protests, and Purses in the Civil Rights Movement
Chapter 6: "Keith Carried a Clutch": Queer Communities and Purses in the late Twentieth Century
Epilogue
Bibliography