Introduction: No One Would Know It Was Mine: Delmer Daves, Modest Auteur; Chapter One: Don't Be Too Quick to Dismiss Them: Authorship and the Westerns of Delmer Daves, Andrew Patrick Nelson; Chapter Two: Trying to Ameliorate the Within: Delmer Daves's Westerns from the 1950s, John White; Chapter Three: Bent, or Lifted Out By Its Roots: Daves' Broken Arrow and Drum Beat as Narratives of Conditional Sympathy, Jozef Jaskulski; Chapter Four: This Room is My Castle of Quiet: The Collaborations of Delmer Daves and Glenn Ford, Adrian Danks; Chapter Five: Delmar Daves, Authenticity, and Auteur Elements: Celebrating the Ordinary in Cowboy , Sue Matheson; Chapter Six: Home and the Range : Spencer's Mountain as Revisionist Family Melodrama, Joseph Pomp; Chapter Seven: Delmer Daves' 3:10 to Yuma: Aesthetics, Reception and Cultural Significance, Fran Pheasant-Kelly; Chapter Eight: Changing Societies: The Red House, The Hanging Tree, Spencer's Mountain and Postwar America, Fernando Gabriel Pagnoni Berns; Chapter Nine: Partial Rehabilitation: Task Force and the Case of Billy Mitchell, Andrew Howe; Chapter Ten: "This is where he brought me: 10,000 acres of nothing!" The Femme Fatale and other Film Noir Tropes in Delmer Daves' Jubal, Matthew Carter
