Introduction; Chapter 1: Vachel Lindsay, "Thirty Differences Between the Photoplays and the Stage" (1916); Chapter 2: Hugo Munsterberg, "The Means of the Photoplay" (1916); Chapter 3: Bernard Shaw, "The Drama, the Theatre, and the Films" (1925); Chapter 4: Erwin Panofsky, "Style and Medium in the Motion Pictures" (1934); Chapter 5: Rudolf Arnheim, "A New Laocoon: Artistic Composites and the Talking Film" (1938); Chapter 6: Allardyce Nicoll, "Film Reality: The Cinema and the Theatre" (1946); Chapter 7: Andre Bazin, "Theater and Cinema" (1951); Chapter 8: Vsevolod Pudovkin "Stanislavsky's System in the Cinema" (1953); Chapter 9: Josef von Sternberg, "Acting in Film and Theatre" (1955); Chapter 10: Siegfried Kracauer, "The Theatrical Story" (1960); Chapter 11: Tyrone Guthrie, "Movies versus Theatre: The Case for the Theatre" (1962); Chapter 12: Carl Foreman, "Movies versus Theatre: The Case for the Movies" (1962); Chapter 13: Peter Brook, "Finding Shakespeare on Film" (1964); Chapter 14: Susan Sontag, "Film and Theatre" (1966); Chapter 15: Roger Manvell, "Filmmaker, Actor, and Audience; Dramatist, Screenwriter, and Director" (1979); Chapter 16: Hans-Jurgen Syberberg, "Theater and Film, or Adolphe Appia and Me" (1988); Chapter 17: Bert Cardullo, "Playing to the Camera or the House: Stage vs. Screen Acting" (1998); Chapter 18: Thomas Erskine and James Welsh, "Drama into Film" (2000); Bibliography; Filmographies; Biographies; Index.
