A ground-breaking exploration of how art responds to democratic crisis.
Is democracy over? Did we ever really have it? Most people would agree that today democracy finds itself in crisis. As this crisis has intensified, art has emerged as an important means of experimenting with new democratic processes and possibilities.
In Model collapse, a brilliant group of art historians and theorists investigate the relationship between art and democracy since the 1990s. Exploring a wide range of artistic responses, from interactive public sculptures to autonomous curatorial projects, critical engagement with electoral politics and creative street protest, they offer fresh insights into the limits of representation, the appeal of collaboration and the role of the nation-state in post-national frameworks.
'Model collapse' is what happens when large language models start learning from their own generated data and lose all connection to reality. This book examines the multiple, intersecting crises that shape the conditions for artistic practice and define its socio-political aims. It advances our understanding of how art can contribute to one of the most vital political issues of our time. -- .
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
11 colour plates, 35 black & white illustrations
Maße
Höhe: 240 mm
Breite: 170 mm
ISBN-13
978-1-5261-7754-4 (9781526177544)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Lindsay Caplan is Assistant Professor of History of Art and Architecture at Brown University
Kerry Greaves is Assistant Professor of Arts and Cultural Studies at the University of Copenhagen -- .
Introduction: Contesting models - art and democracy since the 1990s - Lindsay Caplan
Part I: Assembly: between intervention and institution
1 Performance and militant curating: rehearsing democratic imaginaries through critical spaces and publics - Gigi Argyropoulou
2 Nordic exceptionalisms: convivial curating and Denmark's CAMP / Center for Art on Migration Politics - Kerry Greaves
3 Practices of avant-garde negation in Belarusian art during the 2020 anti-authoritarian uprising - Olga Kopenkina
4 From revolutionary art to democratic art: Oliver Ressler and Wolfgang Tillmans in the shadow of the Situationists - Mikkel Bolt Rasmussen
Part II: Party/people: forms of collective identity and their limits
5 Party formalism: formlessness and collective form in contemporary art - Julian Nykolak
6 I am one people: the demos as aporia and opera in the work of Christoph Schlingensief - Jonah Westerman
7 Re-citing, re-siting: art and the figural politics of 'the people' in Europe - Sudeep Dasgupta
8 Monumental shadows: renegotiating public monuments and radicalising democracy in today's culturally pluralised societies - Sabine Dahl Nielsen
9 Public art and democratic fallacies: patriarchal resilience in Erik A. Frandsen's 'toppled' statue BAR ROMA - Mathias Danbolt and Amalie Skovmoller
Part III: The state: within, against, beyond
10 'BITTERFELD IS EVERYWHERE': industrial hauntings in the former East Germany - Sara Blaylock
11 Contemporary necropolitical mafia structures or necrodemocracy and contemporary European art and culture - Marina Grzinic
12 The financial system as public resource: Nuria Gueell's post-Indignados activist practice - Tatiana Rybaltchenko and Sophie Cras
13 Off-state relations as resilience: grassroots arts instituting in Hungary - Eszter Szakacs
Index -- .
