This book is a field guide for students and storytellers interested in the realm of social impact documentary. It explores best practices and processes for interacting with the documentary subject and framing the story of the subject in a way they find accommodating and aligned with their interests.
This text will guide readers from step one of the documentary filmmaking process through to the completion of their short documentary film, in an easy-to-understand, very-repeatable process they can use and build on for the rest of their career. Beginning with the best practices for conducting comprehensive research and carrying out pre-production, the benefits of interacting with and getting to know your subject are then explored through multiple perspectives. This leads into a step-by-step framework for telling the subject's story, paired with real life examples from film student projects overseen by the author, as well as example work such as Character Profiles, Purpose Statements, Interview Questions, and other references.
This is an essential resource for students and documentary filmmakers who want to get a clear and concise understanding of how to approach social impact documentaries.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Postgraduate, Professional Training, and Undergraduate Advanced
Illustrationen
13 Halftones, black and white; 13 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Gewicht
ISBN-13
978-1-041-00338-0 (9781041003380)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Robin Canfield is an accomplished storyteller, photographer, and documentary filmmaker. He co-founded Actuality Abroad and leads documentary workshops around the world, producing films that highlight the efforts of local changemakers. A regular speaker at festivals and educational conferences, Robin continues to advocate for a shift towards a more collaborative and cooperative approach in telling stories about real life.
Introduction
Chapter 1 - Now is the Time to Make a Short Documentary
Pre-Production:
Chapter 2 - Finding a Subject
Chapter 3 - Research
Chapter 4 - Communications With Crew and Changemakers
Chapter 5 - Crafting the Story
Chapter 6 - Planning Production
Chapter 7 - Ethical Storytelling
Production:
Chapter 8 - Paper cut
Chapter 9 - Filming
Chapter 10 - Interviewing
Chapter 11 - Approaches to Editing
Chapter 12 - Publishing & Distribution
Appendix 1 - A Budget
Appendix 2 - Gear
Appendix 3 - Fair Use Protections and Documentary Filmmakers