Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.
Rezensionen / Stimmen
"In his timely and erudite book, Matthew Campora...makes use of a variety of analytical tools and methods, from narrative theory to historiography to reception studies. The result is a thorough volume that successfully combines theory and interpretation...Campora's goals are numerous, and he moves through his information clearly and carefully...and makes the reader want to return to the films themselves, to watch them each anew with [his] insights in mind. Campora's book illuminates many fascinating features of these films and this genre, and his book will be of interest to a wide variety of readers." ? Film Criticism
"...identifies and defines a distinct group of films within contemporary complex narrative films, partly tracing historical antecedents, using a useful taxonomy for contemporary complex narrative films." ? Nitzan Ben Shaul, Tel Aviv University
"This book effectively combines theories of multiform narrative with subjective realism to develop a sophisticated theory of complex storytelling in contemporary cinema. It presents detailed and distinct analyses of [a number of important films]." ? Warren Buckland, Oxford Brookes University
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Illustrationen
Maße
Höhe: 235 mm
Breite: 157 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-78238-278-2 (9781782382782)
DOI
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Matthew Campora is a Lecturer at the Australian Film Television and Radio School and an Honorary Research Fellow at the Centre for Critical and Cultural Studies. He holds an MPhil in literary studies and a PhD in film studies from the University of Queensland.
Acknowledgements
Introduction
Three Periods of Narrative Experimentation
Multiform Narrative
Subjective Realism
Chapter 1. Complex Narratives
The New Hollywood and The Smart Film
New Hollywood Narration
Fragmented Narratives
Multi-strand Narratives
Multiform Narratives
Brazil
Puzzle Films
Chapter 2. Two Trajectories of the Cinema of Attractions
The Narrative Trajectory: Realism and Spectacle
The Avant-garde Trajectory: Realism and Defamiliarization
Chapter 3. Subjective Realism and Multiform Narrative
Subjective Realism
Vertigo
The Fantastic
Wild Strawberries
Chapter 4. Mulholland Drive
Expressionism and the Uncanny
Three Views
As Surrealist or Trance Film
As Fragmented Subjective Realist Film
As Supernatural Film
It Is All An Illusion
Chapter 5. Memento
The Four Strands
Unreliable Narration
Disrupted Expectations
Subjective Realism
Chapter 6. Eternal Sunshine of the Spotless Mind
The Philosophy of Eternal Sunshine
Temporal Inversions
Subjective Realism
Sonic Metalepsis
The Marvelous Real
Conclusion
Filmography
Bibliography
Index
