The informal still-lifes, understated portraits and strikingly 'minimalist' landscapes of Sir William Nicholson have long been admired, but since the artist's death in 1949 his reputation has tended to be overshadowed by that of his son Ben, Britain's foremost modernist painter. In the past decades critical responses to William's art have alternated between astonishment at pictures that are often as fresh and glowing as the day they were painted, and bewilderment that a twentieth-century artist could be seemingly untouched by revolutions in art from impressionism on. Published to coincide with the first full retrospective in almost a quarter of a century - and the first in London since 1942 - this catalogue contains new texts by leading specialists on the many facets of Nicholson's work. A series of scholarly texts and catalogue entries accompany the broadest display of his painting ever published in colour, as well as an account of the artist's well-known and considerable body of graphic work. An essential purchase for anyone interested in British art.
Sprache
Verlagsort
Illustrationen
Maße
Höhe: 265 mm
Breite: 235 mm
Gewicht
ISBN-13
978-1-903973-44-8 (9781903973448)
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Schweitzer Klassifikation
Colin Campbell is the author of William Nicholson: The Graphic Work Merlin James is a regular contributor to the Burlington Magazine and the Times Literary Supplement Patricia Reed is writing the artist's catalogue raisonne Sanford Schwartz, who writes regularly for the New York Review of Books, is author of William Nicholson (forthcoming, Yale University Press)