The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgess's writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgess's love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgess's favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical ('Food and Music'), satirical ('Anybody Can Conduct') or controversial ('Why Punk Had to End in Evil'), Burgess's writing is consistently informative and entertaining.
The music of Debussy sparked Burgess's musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgess's compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin based on Joyce's Ulysses.
Carcanet also publishes The Ink Trade, a companion volume of literary essays.
Rezensionen / Stimmen
'This book is often Burgess at his racily journalistic best: testy, peppery, pugnacious, swingeingly opinionated. He never minces his words, he is never a half-hearted fence sitter... Needless to say, Burgess at his best is wonderfully entertaining.'
Michael Glover, The Tablet 'This edition is exemplary, offering not only footnotes, but also miniature essays providing context for pieces most of which evaded capture in Burgess's own collection of his journalism.'
Paul Griffiths, Times Literary Supplement 'Whoever at Carcanet had the idea of collecting all of Burgess's writings about music - the editor Paul Phillips himself, I presume - deserves a medal... I don't think I can conceive of a more enjoyable book being published this year, and it's only February.'
Nicholas Lezard, The Spectator 'This is a superb brick of a book, from the cover photo to the index'
Dominic Green, The Washington Free Beacon
Sprache
Verlagsort
Verlagsgruppe
Maße
Höhe: 212 mm
Breite: 137 mm
Dicke: 45 mm
Gewicht
ISBN-13
978-1-80017-308-8 (9781800173088)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Anthony Burgess (1917-1993) was a novelist, poet, playwright, composer, linguist, translator and critic. Best known for his novel A Clockwork Orange, he wrote more than sixty books of fiction, non-fiction and autobiography, as well as classical music, plays, film scripts, essays and articles.
Burgess was born in Manchester, England and grew up in Harpurhey and Moss Side. He was educated at Xaverian College and Manchester University. He lived in Malaya, Malta, Monaco, Italy and the United States, and his books are still widely read all over the world.; Paul Phillips is the Gretchen B. Kimball Director of Orchestral Studies and Associate Professor of Music at Stanford University. He is the author of A Clockwork Counterpoint: The Music and Literature of Anthony Burgess, published in 2010, and essays on Burgess published in six other books, including the Norton Critical Edition of A Clockwork Orange. He has led performances of many Burgess compositions in concert, including numerous premieres, and conducted the first commercial recording of Burgess's orchestral music, released by Naxos in 2016.
