A biography of composer Sergei Rachmaninoff, published in collaboration with the Bard Music Festival.
One of the most popular classical composers of all time, Sergei Rachmaninoff (1873-1943) has often been dismissed by critics as a conservative, nostalgic holdover of the nineteenth century and a composer fundamentally hostile to musical modernism. The original essays collected here show how he was more responsive to aspects of contemporary musical life than is often thought, and how his deeply felt sense of Russianness coexisted with an appreciation of American and European culture. In particular, the essays document his involvement with intellectual and artistic circles in prerevolutionary Moscow and how the form of modernity they promoted shaped his early output. This volume represents one of the first serious explorations of Rachmaninoff's successful career as a composer, pianist, and conductor, first in late Imperial Russia, and then after emigration in both the United States and interwar Europe. Shedding light on some unfamiliar works, especially his three operas and his many songs, the book also includes a substantial number of new documents illustrating Rachmaninoff's celebrity status in America.
Rezensionen / Stimmen
"The editor and contributor, Philip Ross Bullock, should be congratulated on producing a collection of articles that adds much detailed substance. . . . It deserves a place in libraries everywhere and in the collections of those music lovers for whom 'romantic' is not a dirty word." * Slavonic and East European Review *
Reihe
Sprache
Verlagsort
Verlagsgruppe
The University of Chicago Press
Zielgruppe
Illustrationen
18 halftones, 25 line drawings
Maße
Höhe: 243 mm
Breite: 162 mm
Dicke: 30 mm
Gewicht
ISBN-13
978-0-226-82074-3 (9780226820743)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Philip Ross Bullock is professor of Russian literature and music at the University of Oxford and a fellow and tutor in Russian at Wadham College, Oxford. He is the author of Pyotr Tchaikovsky and coeditor of Music's Nordic Breakthrough: Modernity, Aesthetics, and Cultural Exchange, 1890-1930, with Daniel M. Grimley.
Introduction
Philip Ross Bullock
Permissions and Credits
Acknowledgments
Note on Transliteration and Dating
MOSCOW AND MODERNITY
Reading the Popular Pessimist: Thought, Feeling, and Dance in Rachmaninoff's Symphonic Narrative
Peter Franklin
Sergei Rachmaninoff and Moscow Musical Life
Rebecca Mitchell
Love Triumphant: Rachmaninoff's Eros, the Silver Age, and the Middlebrow
Marina Frolova-Walker
Rachmaninoff and the "Vocalise": Word and Music in the Russian Silver Age
Philip Ross Bullock
THREE OPERAS
Tchaikovsky's Echoes, Chaliapin's Sobs: Aleko, Rachmaninoff, and the Contemporary
Emily Frey
Rachmaninoff's Miserly Knight (On Money, Honor, and the Means to Create)
Caryl Emerson
Burning for You: Rachmaninoff's Francesca da Rimini
Simon Morrison
NEW WORLDS
Rachmaninoff and the Celebrity Interview: A Selection of Documents from the American Press
Selected and Edited by Philip Ross Bullock
The Eighteenth Variation
Steve Swayne
"One of the Outstanding Musical Events of All Time": The Philadelphia Orchestra's 1939 Rachmaninoff Cycle
Christopher H. Gibbs
"The Case of Rachmaninoff": The Music of a White Emigre in the USSR
Marina Raku, translated by Jonathan Walker
Aesthetic Ambition and Popular Taste: The Divergent Paths of Paderewski, Busoni, and Rachmaninoff
Leon Botstein
Index
Notes on the Contributors
