The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person.
By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity.
The book will be of interest to scholars working in art history, history of photography, women's studies, and Mexican studies.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Postgraduate and Undergraduate
Illustrationen
40 s/w Photographien bzw. Rasterbilder, 40 s/w Abbildungen
40 Halftones, black and white; 40 Illustrations, black and white
Maße
Höhe: 246 mm
Breite: 174 mm
Gewicht
ISBN-13
978-1-032-31357-3 (9781032313573)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Julia R. Brown is Assistant Professor at Florida Atlantic University. She served as associate editor for the journal Mexican Studies/Estudios Mexicanos from 2017 to 2020. Her research is concerned with Indigenous representation in Mexican visual cultures. She is a Fulbright-Garcia Robles recipient.
Radmila Stefkova is an education technology professional and researches media and visual literature. She has served as an associate editor for the Spanish and Portuguese Review for three years and as a regular contributor to the cultural magazine Latin American Literature Today.
Tamara R. Williams is Professor of Hispanic Studies and Executive Director of the Wang Center for Global Education at Pacific Lutheran University. Her area of specialization is the Latin American long poem.
Herausgeber*in
Florida Atlantic University, USA
Pacific Lutheran University, USA
Part I Gendering the Gaze: Frame, Context, Collaboration 1 In and Around Photographic Portraits (or Portraiture?) 2 The Margins and Potential Horizons of Mexico's Postrevolutionary Modernity in Four Photographs by Tina Modotti, Kati Horna, Mariana Yampolsky, and Elsa Medina Part II Counter-Perspectives: Ideologies, Subjectivity, and Corporeality 3 Earth Images: Tina Modotti and Agrarian Radicalism in Mexico 4 Fundamental Considerations for Mariana Yampolsky's Photography 5 Gaze as Mirror/Encountering the Other: On the Photographic Communication of Graciela Iturbide 6 Unsettling Hyper-Heteronormative Masculinity: Lourdes Grobet's Family Portraits Part III Re-Presenting Gender and Race 7 Solidarity and Witnessing in the Photographs of Marta Zarak 8 A Record of Things Seen: The Photographs of Frida Hartz in Irma Pineda's Guie'ni Zebe/La flor que se llevo 9 Seeing and Feeling the 1990s: Phototextual Explorations by Maruch Santiz Gomez and Xunka' Lopez Diaz 10 The Untold Story of Black Mexico: Uncovering the Identity of the Afro-Descendant Woman in the Photography of Koral Carballo and Mara Sanchez Renero
