This book explores the enigma of class in heavy metal, challenging existing accounts that have dismissed the genre for its classed cultural limitations. It engages with the key ways in which heavy metal is often seen as a profane expression of a-political and anti-religious feelings. While others have argued that heavy metal's embrace of chaos, biblical doom, and the triumph of evil, this book is the first that examines the genre's musical and lyrical expressions, arguing that the genre can be translated to express a language of class that is coded for the voice of the historically oppressed and marginalized.
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing Plc
Zielgruppe
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
mit Schutzumschlag
Maße
Höhe: 229 mm
Breite: 152 mm
Dicke: 25 mm
Gewicht
ISBN-13
978-1-5013-9912-1 (9781501399121)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Klassifikation
Andy R. Brown is Senior Lecturer of Media and Cultural Studies at Bath Spa University, UK. He is one of the original creators of the field of metal studies and a founding member of the International Society for Metal Music Studies. He has given three keynote talks and is the co-editor of Heavy Metal Generations (2012) and Global Metal Music and Culture (2016).
Autor*in
Senior LecturerBath Spa University, UK
1. Where the Cows Drink Industrial Sewage: Classification and Class Disgust in the Critical Reception of Heavy Metal
2. Nary a Plaque or a Tea Towel: Or How Wrong We Were About Black Sabbath
3. Denim and Leather: The Proud Pariah as Folk Devil
4. Born To Lose: The Paradox of the Politics of No Class
5. Six-Ton Budgie: An Interpretative Analysis of Class in Music and Lyrics
6. Between Heaven and Hell: The Politics and the Poetics of Biblical Allusion
7. Victim of Changes or Never Say Die? Charting Metal's Global Class Profile