A queer auteur who plays with generic conventions, Francois Ozon is one of France's most prolific and best known international directors, who has built a filmography that not only engages in the representation of non-normative sexualities, kinship and violence, but also makes room for social outcasts and marginalised communities. This edited collection brings together renowned and emergent scholars to investigate further questions of minority, queerness, (queer) intertextuality and gender representations, as well as secrecy, transgression and intimacy in his films, offering the most up-to-date study of Francois Ozon's cinema.
Rezensionen / Stimmen
From experimentations with genre and intertextuality to new visions of queerness and relationships, ReFocus: The Films of Francois Ozon captures the unique spirit of one of France's most idiosyncratic directors. Loic Bourdeau's edited volume is intellectual yet creative, cohesive yet wide-ranging, inventive yet steeped in a rich cultural tradition. Much like Francois Ozon's cinema itself. * Gemma King, The Australian National University * By now a familiar fixture in contemporary French cinema, the prolific auteur Francois Ozon seems to have grown in stature over the last decade. Loic Bourdeau has assembled an exciting and eclectic collection of original essays that combines a welcome return to the perverse queerness of the filmmaker's early work with a full examination of the later more 'mature' Ozon including a timely focus on the sexual politics of abuse. This is an impressively wide-ranging collection that will no doubt contribute to a fuller critical understanding of one of 21st century cinema's important directors. * Nick Rees-Roberts, Sorbonne Nouvelle University *
Reihe
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
32 black and white illustrations
Maße
Höhe: 259 mm
Breite: 194 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-4744-7992-9 (9781474479929)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Loic Bourdeau is a scholar of French Studies and the Medical Humanities in the School of Modern Languages, Literatures and Cultures at Maynooth University, formerly Louisiana Board of Regents Associate Professor of Francophone Studies at UL Lafayette. He has published extensively on contemporary cultural productions by marginalised voices in France and Quebec. In addition to several chapters and articles, he has edited or co-edited four volumes, including Horrible Mothers. Representations across Francophone North America (2019), ReFocus: The Films of Francois Ozon (2021), and Revisiting HIV/AIDS in French Culture: Raw Matters (2022). He has edited special issues of the Australian Journal of French Studies (2020), Nouvelles Etudes Francophones (2022), and a special issue of Nottingham French Studies on 'The Twenty-first Century Social Novel in French' (2024).
Herausgeber*in
scholar of French Studies and the Medical Humanities in the School of Modern Languages, Literatures and CulturesMaynooth University
Introduction: In the beginning was the word - Loic Bourdeau
Part One: The Politics of Form
1. Queer Tyranny and Intertextuality in Gouttes d'eau sur pierres brulantes: Francois Ozon Pays Homage to Master Fassbinder - Amy Bertram
2. Francois Ozon's Sitcom and Politics of Form - Tamara Tasevska
3. Queering the Trenches: Homoerotic Overtones in Frantz - Helena Duffy
4. The Crystal-Image and Queer Ambiguity in Sous le sable - Peadar Kearney
5. French Ozon/Global Ozon: French Specificity and Globalisation in Jeune & jolie - Felicity Chaplin
Part Two: (In)Formal Politics
6. 'The Scent of a Middle-class Woman': Desire, family and the adolescent imagination in Francois Ozon's Dans la maison - Jamie Steele
7. Bringing Up Baby in the Twenty-First Century: Le Refuge and the Ozonian Family - Thibaut Schilt
8. Transing Dynamics: Ozon's Une nouvelle amie - Todd W. Reeser
9. Sex Wars in Potiche: Womanhood Then and Now - Loic Bourdeau
10. Female Creativity, Selfishness and Monstrosity in Francois Ozon's Angel - Fiona Handyside
11. From Faits Divers to Grandes Affaires: Giving Voice to Sexual-Abuse Survivors in Grace a Dieu - Levilson C. Reis
