This fully revised and updated second edition of Photography as Activism is both a study of activist photography, and a call to action. It offers students and documentary photographers insights into the theory, history, philosophy, and practice of photography as activism.
The book is lavishly illustrated with 85 key historical and contemporary images. Chapters have been revised to include contemporary ideas about representation, gaze, agency, and decolonizing the camera, as well as an expanded history that includes work from the global South and the civil rights movements in the US. A new fourth chapter focuses on activist practices that go beyond traditional reportage. It features 19 new interviews and updates on the original interviews. Photographers talk about their practices, the challenges they face in the twenty-first century, advice on working with NGOs and non-profits, and how to form partnerships to expand the dissemination of their work.
Photography as Activism is an essential text for courses on documentary and photojournalism, and those that explore art as social change more broadly, but also a call to action for young photographers to pick up their cameras and advocate for change.
Rezensionen / Stimmen
Photography as Activism is a vital read for students, issue-based photographers, picture editors, educators, and curators. It critically examines photography as a tool for activism. It delves deeply into the aims and motivations of the practitioners, their desire to effect meaningful change, and the ethical quandaries they face.
Paul Wenham-Clarke, Professor of Photography and Course Leader, MA Photography, Arts University Bournemouth
Photography as Activism moved me to create a class based on its inspiring contents! Before reading it, I felt my impulse to make change through images was a futile effort. The in-depth interviews along with Bogre's articulate delivery of the history and philosophy guiding the work plot our path forward.
Judy Walgren, Pulitzer Prize-winning photojournalist and faculty at Foothill College, San Francisco
Informative! Enriching! Engrossing! In Photography as Activism, Bogre draws on her 30 years of cross-practice experience to produce this Must-Read guide for documentary practitioners, and a Really-Should-Read for everyone studying the processes of social reform in North America, mid-19th century to now, with insights and inspirations for the future.
Stephen Mayes, Executive Director, Tim Hetherington Trust
Auflage
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
General, Postgraduate, Professional Practice & Development, and Undergraduate Advanced
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
85 farbige Abbildungen, 85 Farbfotos bzw. farbige Rasterbilder
85 Halftones, color; 85 Illustrations, color
Maße
Höhe: 252 mm
Breite: 176 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-0-367-72352-1 (9780367723521)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Michelle Bogre is Professor Emerita at Parsons School of Design and The New School, after a 25-year career that included being chair of the Photography Department at Parsons and teaching almost every type of photography class. She also is a documentary photographer, writer, and intellectual property lawyer. She co-founded the CRUX Photography Research Network (at Arts University Bournemouth), an international research network of photographic artists, researchers, educators, and theorists. She has written hundreds of articles and book chapters about photography and law, as well as three books: Photography 4.0: A Teaching Guide for the 21st Century (Routledge 2014), Documentary Photography Reconsidered (2019), and The Routledge Companion to Copyright and Creativity in the 21st Century (2021).
Introduction 1. Activism: Philosophy and Psychology 2. History and Social Reform 3. Awareness to Impact 4. New Directions
