A Theory of Metaphor: Truth, Falsity, and the Uncanny is a strikingly original analysis of metaphor. Scholarly and imaginative, this sophisticated theory builds on a simple definition: metaphors are not comparisons but statements of identity (A is B), statements simultaneously true and false.
Bogel explores a broad range of literary theory and philosophy: from Aristotle to Zizek, Augustine to Wittgenstein, Richards to Ricoeur and Blumenberg. The book analyzes a wide variety of literary and non-literary texts, including popular forms such as graveyard epitaphs, sermons, cartoons (Garry Trudeau's Doonesbury), and a haunting episode of Star Trek: The Next Generation. It extends the central concept of truth and falsity to the reader's encounter with metaphor, figural interpretation of scripture, entire poems as metaphors, the aesthetics of obliquity and textual impurity, and Freudian psychoanalysis-in particular, links between metaphor and the uncanny.
This rigorously and eloquently argued book will be invaluable to students of metaphor across such fields as literary criticism and theory, philosophy, linguistics, rhetoric, psychoanalysis, and media studies. Its arguments are enriched by numerous concrete examples and analyses that bring theory to life and help to reach beyond an academic audience. Bogel's ground-breaking study takes our understanding of metaphor in new and important directions.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Academic, Postgraduate, and Undergraduate Advanced
Illustrationen
1 s/w Zeichnung, 2 s/w Photographien bzw. Rasterbilder, 3 s/w Abbildungen
1 Line drawings, black and white; 2 Halftones, black and white; 3 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 7 mm
Gewicht
ISBN-13
978-1-032-90900-4 (9781032909004)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Fredric V. Bogel is Professor of English, emeritus, at Cornell University, USA. He is the author of New Formalist Criticism: Theory and Practice (2013).
Acknowledgements
1. Introduction: A Theory of Metaphor
2. Processing Metaphor: Resistance and Interpretation
3. Metaphor and Biblical Interpretation
4. The Persistence of the Tenor: Falsity in Truth
5. The Decline of Literal Truth and Reference
6. Poems as Metaphors: To Truth through Fiction
7. The Double Transit of Metaphor: Metaphor and the Uncanny
8. Novelty and the End State of Metaphor: Uncanny Doubling
9. The Uncanny: Psychoanalytic and Metaphoric
10. Metaphor and Affect: The Uncanny, Paradox, Wonder, Religion
11. Conclusion
Appendix
Bibliography
Index