Making Believe

Introduction

1 Acting Through Machines: Fidelity and Expression from Cameras to Mo-Cap

2 Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement

3 In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism

4 Double Trouble: Authenticity, Fakery, and Concealed Performance Labor

5 Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles

6 There Is No There There: Making Believe in Composite Screen Space

Conclusion

Acknowledgments

Notes

Index