Introduction
1 Acting Through Machines: Fidelity and Expression from Cameras to Mo-Cap
2 Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement
3 In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism
4 Double Trouble: Authenticity, Fakery, and Concealed Performance Labor
5 Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles
6 There Is No There There: Making Believe in Composite Screen Space
Conclusion
Acknowledgments
Notes
Index
