Women Artists in the Reign of Catherine the Great

Rezensionen / Stimmen

'This engaging, accessible and beautifully illustrated book provides a welcome and stimulating contribution to scholarship on 18th-century art and patronage, particularly on the relationships (and rivalries) fostered by Catherine and members of the Russian elite with their contemporaries in the rest of Enlightenment Europe.' - Paul Keenan, The Art Newspaper 'In her dynamic account of the cultural energies of Catherine the Great's court, Blakesley traces how women artists negotiated the complex dynamics of patronage and privilege, to make their presence felt against cultural odds. This is a lively and necessary re-gendering of Russia's imperial past.' - Dr Maria Balshaw CBE, Director of Tate 'In the organization of the book, Catherine's reign serves as backdrop against which we discover the talent and initiative of ambitious women who (mostly circumstantially) entered Catherine's orbit, and tangentially remained there for temporary spells. Blakesley gives them their own space, bringing to light female painters who, once at court, became impressive figures with rich personalities and attested talent. Despite, or because of, their complicated lives, they were perhaps destined of their own accord and natural gifts to make their mark in art history-with, or without, Catherine the Great.' - Myroslava Mudrak, H-SHERA 'Buttressed by the author's rare gift for storytelling, Blakesley's book reimagines Catherine's reign as one dependent on the seen and unseen artistic work of women, women who navigated the geographic distances of Enlightenment Europe and who helped turn Russia into a powerhouse of the modern art scene.' {...} 'In the face of often profound harassment and discrimination, Blakesley's subjects seized opportunities for professional advancement and artistic expression. They built lives and, indeed, empires. ... In this book, a unique and invaluable contribution to Russian art history and gender studies, Blakesley shows us that, while Catherine may not have promoted a "sisterhood," a sisterhood of women artists were nevertheless behind the creation of Russia as a center of art and empire.' - Molly Brunson, The Russian Review 'Blakesley's study distinguishes itself by its original character... It is a precious tool for those interested in artistic production during the period of Catherine II. The term which best describes this work is erudition with accessibility.' - Hugo Tardy, Revue d'histoire culturelle 'It takes mastery to maintain the balance between the bird's-eye view of the matter at hand and the close-up look, as if under a magnifying glass, at a painting or a sculpture. This approach enables Blakesley to offer new insights into works of art known because of their historic significance, but underappreciated regarding the artistic accomplishment they manifest. The book reveals intricate, highly gendered, human entanglements-artists, critics, patrons, and mediators-embodied by works of art created by women and acquired by an empress.' - Asen Kirin, Slavic Review