Examining modern art vandalism across Europe and North America from 1970 to 2020, this book offers the first comprehensive sociological analysis of this phenomenon.
Drawing on perspectives from directors, curators, security personnel, legal experts, artists, and-uniquely-the vandals themselves, Bessette unravels the complex dynamics of intentional art damage within museum spaces. The study reconceptualizes art vandalism as a form of artistic expression and museums as sites of social contestation by providing insights into the motivations, reactions, and institutional responses surrounding art vandalism.
In doing so, the book illuminates how vandalism challenges traditional notions of art preservation, institutional authority, and cultural value. This enhanced English edition features an additional chapter exploring recent ecological civil resistance actions in museums (2022-2024), providing timely insights into evolving forms of art intervention. An essential reading for students and scholars in art history, museum studies, sociology, cultural politics, and criminology.
Rezensionen / Stimmen
"The apparent 'vandalism' of famous artworks by climate activists has, since 2022, helped bring the urgency of the climate emergency into the public consciousness and shocked many of the world's comfortable art lovers. This fascinating study provides a crucial backdrop to this activism. Far from being senseless and irrational as they are often portrayed, it shows that these actions follow a rich tradition of artists, activists and others disrupting the normalcy of museums and galleries to force society into asking itself what it really values. Expanding beyond this history, the book draws on a rich series of interviews with both campaigners and museum directors to point the way to fruitful future synergies between cultural institutions and the activists calling for cultural change. This is a deep and rich account of a very contemporary but not so modern phenomenon."
Charlie Gardner, PhD, FRSA, Associate Senior Lecturer at the University of Kent Durrell Institute of Conservation and Ecology and campaigner with Scientists for Extinction Rebellion, UK
"In this fascinating book, Anne Bessette brings together an original dataset of attacks on artworks in museums to ask what they reveal about what art 'means'. Bessette shows that an attack on an artwork is never simply an attack on an artwork: how artists, museums, media and criminal justice systems respond will vary according to who does it, to what sort of artwork, for what purposes, in what sort of circumstances (in contrast, the extent of the damage caused seems much less significant). Every page has eye-opening detail; the book as a whole is an object lesson in applying analytical method to bring tacit understandings about legitimacy and deviance (and art and conflict) to the surface. It's a joy from start to finish."
Dr Graeme Hayes, Head of Sociology and Policy, Aston University, UK
"Anne Bessette has plumbed the emerging complexities of museums as sites of vandalism, protest and supposed neutrality, and her thorough examination reveals a daunting but essential truth - that museums have a crucial role to play in addressing the ecological crises confronting global society. As formidable as this challenge is for the museum world, Bessette's vision for the future of museums is undeniably truthful and heartening."
Robert R. Janes, Canada Museum scholar/practitioner and visiting research fellow at the School of Museum Studies, University of Leicester, UK
"A deep and relevant resource for museum scholars, Bessette's book reminds us of the pivotal role museums play today, particularly in relation to our current political and ecological challenges."
Beatriz Salinas Marambio, Curator and Researcher, Chile-Denmark
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Academic, Postgraduate, and Undergraduate Advanced
Maße
Höhe: 234 mm
Breite: 156 mm
ISBN-13
978-1-032-94216-2 (9781032942162)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Anne Bessette is a PhD in Sociology and is an Associate Researcher at Cerlis (Centre de Recherche sur les Liens Sociaux) in Paris. Her research has focused on the relationship between publics and arts in the context of cultural institutions, particularly museums. Her current research extends these questions through the analysis of ecological civil resistance in museums and furthermore, through the study of the positions and actions of museums in relation to environmental issues. In addition to the publication of several scientific articles, she co-edited a book titled A la Recherche du Musee: Reflexions Croisees en Histoire de l'art, Museologie et Sociologie (2023).
Autor*in
Centre de Recherche sur les Liens Sociaux, France
Introduction
PART ONE: ART VANDALISM
1. Targeted Artworks, Modus Operandi, and Profiles of Art "Vandals"
2. Artistic Vandalism
3. Vandalism as Political, Social, or Personal Claim
4. Psychopathological Vandalism
5. Vandalism in Reaction to What is Figuratively Represented in an Artwork
6. Vandalism as Aesthetic or Institutional Criticism
7. Micro-Vandalism
PART TWO: REPRESENTATIONS AND REACTIONS
8. Differential Management of Art Vandalism
9. Reactions from the Art and Museum Worlds
10. Symbolic Damage
11. Vandalism as a Strategy to Seize Attention
12. Artworks, Museums: A Double Profanation
PART THREE: ARTISTIC VANDALISM
13. Circumstances Surrounding the Emergence of Artistic Vandalism
14. Precursors of Artistic Vandalism and Related Forms
15. Out-of-Bounds Artistic Proposals
16. Playing with the Rules and Edges of an Artistic Field
PART FOUR: ECOLOGICAL CIVIL RESISTANCE IN MUSEUMS (2022-2024)
17. On Environmental Activism in Museums
18. On the Choice of Museums for Ecological Civil Resistance Actions: An Attempt to Highlight Ecological Issues... and to Engage the Museum Community
19. Exploring Synergies Between Museums and Ecological Civil Resistance Collectives
20. On Global Repression and Stigmatization of Climate Civil Resistance
Conclusion