**LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018**
'I loved it and could have read a thousand more pages of it.' - Emma Cline
Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood. She studies linguistics and literature, teaches ESL and spends a lot of time thinking about what language - and languages - can and cannot do.
Along the way she befriends Svetlana, a cosmopolitan Serb, and obsesses over Ivan, a mathematician from Hungary. The two conduct a hilarious relationship that culminates with Selin spending the summer teaching English in a Hungarian village and enduring a series of surprising excursions. Throughout her journeys, Selin ponders profound questions about how culture and language shape who we are, how difficult it is to be a failed writer, and how baffling love is.
At once clever and clueless, Batuman's heroine shows us with perfect hilarity and soulful inquisitiveness just how messy it can be to forge a self.
Rezensionen / Stimmen
I loved it and could have read a thousand more pages of it. It presented this almost moment-by-moment experience of life, in a way that I just felt Batuman had so much control. There's so much wit and pleasure in her writing you feel very comfortable being in the world she's created. -- Emma Cline, author of THE GIRLS Elif Batuman is a writer whose byline creates a flutter of anticipation... If a dominant mode of her generation is knowing introspection, she writes with a bewildered outrospection that delights in the bathetic and the absurd... It's a novel about being young and stupid that's both wise and clever - and it's a treat. * Evening Standard * Elif Batuman surely has one of the best senses of humour in American letters. The pleasure she takes in observing the eccentricities of each of her characters makes for a really refreshing and unique bildungsroman; one more fascinated with what's going on around and outside the bewildered protagonist, than what s going on inside her. -- Sheila Heti, author of HOW SHOULD A PERSON BE? and TICKNOR Each paragraph is a small anthology of well-made observations... Batuman has a rich sense of the details of human attachment and lust. -- Dwight Garner * New York Times * Beautifully written... a wry, funny coming-of-age story set at the dawn of email among a group of Harvard brainiacs too nerdy and self-involved to even think about sex, drugs and drinking. * Daily Mail * [A] masterfully funny debut novel... Erudite but never pretentious, The Idiot will make you crave more books by Batuman. -- Sloane Crosley * Vanity Fair * Not since Don Quixote has a quest for love gone so hilariously and poignantly awry. In spare, unforgettable prose, Batuman the traveller (to Harvard, to mysterious Hungary) recreates for the reader the psychic state of being a child entering language. We marvel and tremble with her at the impossibility and mysterious necessity for human connection that both makes life worthwhile and yet so often strands us all in torment. This book is a bold, unforgettable, un-put-downable read by a new master stylist. Best novel I've read in years. -- Mary Karr, author of THE ART OF MEMOIR and IT CHOOSES YOU A moving, continent-hopping coming-of-age story. * Observer, 2017 Books of the Year * Often wonderful, frequently hilarious... full of zingy one-liners and arch, deflationary observations about the absurdities of academia and adolescence... * Financial Times * I'm not Turkish, I don't have a Serbian best friend, I'm not in love with a Hungarian, I don't go to Harvard. Or do I? For one wonderful week, I got to be this worldly and brilliant, this young and clumsy and in love. The Idiot is a hilariously mundane immersion into a world that has never before received the 19th Century Novel treatment. An addictive, sprawling epic; I wolfed it down. -- Miranda July, author of THE FIRST BAD MAN and IT CHOOSES YOU Self-aware, cerebral, and delightful. -- Kirkus, starred review Selin is entrancing - so smart, so clueless, so funny - and Batuman's exceptional discernment, comedic brilliance, and soulful inquisitiveness generate a charmingly incisive and resonant tale of the messy forging of a self. -- Donna Seaman * Booklist * Elif Batuman's novel not only captures the storms and mysteries and comedies of youth but, in its wonderfully sensitive portrait of a young woman adventuring across languages and cultures, it brilliantly draws to our attention a modern politics of friendship. This is a remarkable book. -- Joseph O'Neill, author of THE DOG and NETHERLAND Rambling, ramshackle, erudite; full of careless charm... Her jokes are one of this book's great joys. -- Sam Kitchener * Daily Telegraph * There are very few things in life that are better than finding a novel that takes you somewhere you've never been, and reveals a world that you know nothing about: and that's what lives at the heart of The Idiot. Fresh, fascinating and filled with details that are impossibly foreign and intricately fascinating, it's a must-read for everyone looking to step outside their own lives for a little while and learn something about the experience of someone else coming into their own in such a difficult world. -- Chelsea Hassler * Yahoo! UK and Ireland * Batuman's brainy novel is leavened with humor and a heroine incapable of artifice. * People Magazine * The Idiot is a baffling, if brilliant, first novel. * Totally Dublin * [A] witty, smart and endlessly-entertaining coming-of-age story. * National * The Idiot is an affectionate portrait of first love in all its bumbling haplessness, and a playful celebration of the power and limitations of language. * Literary Review * Very funny indeed. The Idiot is the richly observant story of [Selin's] unique and eccentric coming of age. * Sunday Times * Generously capacious... The triumph of Batuman's book is to make this period of youth matter. * Guardian * You know when you love someone but they don't love you back?... It's a feeling so expertly drawn in The Idiot that you may well start to get flashbacks of your own unrequited tristes... The Idiot is beautiful in every passage, in every turn of the phrase, and full of wry observations that make you feel as if you've never really seen the world. * Stylist * Batuman captures the amplified, airless banality of the 1990s with flip sentences... Light-hearted but of high quality, it falls into the loafing abroad, goofing and self-knowing genre. -- Jonathan McAloon * Spectator * The whole novel is full of hilarious, brilliant observations about writing, life and crushes. -- Curtis Sittenfeld * Observer * One of the funniest and most inventive youngish writers of non-fiction in America... Selin's meandering observations and gentle humour make her an engaging narrator... Batuman examines complex subjects with an appealing lightness of touch... The scene when Selin leaves the Hungarian village is surprisingly moving and encapsulates the overall effect of a novel which reminds us that dead time can be full of life. -- Max Liu * i *
Sprache
Verlagsort
Verlagsgruppe
Maße
Höhe: 240 mm
Breite: 162 mm
Dicke: 38 mm
Gewicht
ISBN-13
978-1-910702-69-7 (9781910702697)
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Schweitzer Klassifikation
Elif Batuman has been a staff writer at the New Yorker since 2010. She is the author of The Possessed: Adventures with Russian Books and the People Who Read Them. The recipient of a Whiting Writers' Award, a Rona Jaffe Foundation Writers' Award, and a Paris Review Terry Southern Prize for Humor, she also holds a PhD in comparative literature from Stanford University.
