1. Introduction.- 2. A 'Logical' Explanation of Screen Production as Method-Led Research - Susan Kerrigan.- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley.- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell.- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker.- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre.- 7. Ethnography and Screen Production Research - Marsha Berry.- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen.- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh.- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma.- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham.- 12. Peter Kennedy's The Photographs' Story: the Dialectical Image as Research - John Hughes.- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic.- 14. Afterword: Tacit Knowledge and Affect - Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch.
