This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the "third space" of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für Beruf und Forschung
Academic
Illustrationen
5 s/w Photographien bzw. Rasterbilder, 1 s/w Zeichnung, 6 s/w Abbildungen
1 Line drawings, black and white; 5 Halftones, black and white; 6 Illustrations, black and white
Maße
Höhe: 229 mm
Breite: 152 mm
Dicke: 10 mm
Gewicht
ISBN-13
978-1-032-26506-3 (9781032265063)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Katelyn Barney is Associate Professor in the Aboriginal and Torres Strait Islander Studies Unit and also affiliated with the School of Music at the University of Queensland.
Introduction
KATELYN BARNEY
1 Black fulla, White fulla: Can there be a truly balanced collaboration?
LOU BENNETT
2 Rock band: A third, brave space for Indigenous language
CLINT BRACKNELL
3 Theorising ganma: Yothu Yindi and third-space musical collaborations
AARON CORN
4 Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities
CANDACE KRUGER
5 One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales
ROBIN RYAN CRUSE AND UNCLE OSSIE CRUSE
6 Indigenous music and cultural engagement: Listening with our ears and hearts
DAWN JOSEPH AND YIN PARADIES
7 Finding solid ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools
THOMAS FIENBERG AND DEBBIE HIGGISON
8 Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier?
KARL NEUENFELDT
9 In the borders and borderlands of coloniality with Helene Cixous and Gloria Anzaldua: An ethnomusicological theory-story of intercultural music-making
ELIZABETH MACKINLA
