Nigel Barley travels to the island of Sulawesi in Indonesia to live among the Torajan people, known for their spectacular buildings and elaborate ancestor cults. At last he is following his own advice to students, to do their anthropological fieldwork `somewhere where the inhabitants are beautiful, friendly, where you would like the food and there are nice flowers. With his customary wit and delight in the telling detail, he takes the reader deep into this complex but adaptable society. The mutual warmth of his friendships allows Barley to reverse the habitual patterns of anthropology. He becomes host to four Torajan carvers in London, invited to build a traditional rice barn at the Museum of Mankind. The observer becomes the observed, and it is Barley s turn to explain the absurd complexities of an English city to his bemused but tolerant guests in a magnificent, self critical finale. Not a Hazardous Sport provides a magnificent end to a trilogy of anthropological journeys that began with The Innocent Anthropologist and A Plague of Caterpillars (both published by Eland). A postscript, penned thirty years after these adventures had been concluded, confirms the rich arc of this storyline of role reversals.
Sprache
Verlagsort
Maße
Höhe: 216 mm
Breite: 138 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-1-78060-143-4 (9781780601434)
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Schweitzer Klassifikation
Nigel Barley was born in Kingston-on-Thames in 1947 and studied Modern Languages at Cambridge before completing a doctorate in Social Anthropology at Oxford. He taught at University College London and the Slade School of Art before joining The Department of Ethnography at the British Museum in 1988 where he remained for some twenty years. After several academic works, he wrote The Innocent Anthropologist in 1983. It contradicted so many cherished assumptions that it led to calls for his expulsion from the professional body of anthropologists. He remained, however, and now the book has been translated into some twenty-five languages and is often the first work embraced by students of anthropology in their studies. He left the Museum in 2002 and is now a professional writer, living in London and Indonesia. His most recent work is Island of Demons, a fictionalised treatment of the life of the painter Walter Spies.
