Introduction
Chapter 1
The Shell in the Woods: Questioning the "Unnatural" through Uncanny Fairy Tales' Mirrors, Wonder, and Hybridity
1.1 Theoretical Overview: The Unnatural Vs the Uncanny
1.2 Uncanny Wonderlands
1.3 "All mirrors are magic mirrors"
1.4 Hybrid Characters, Genre, Language
1.5 Angela Carter's Shell
Chapter 2
Halls of Mirrors: Uncanny Glassworlds in the Castles of the Mind
2.1 Si se non noverit: The Danger in the Mirror
2.2 "The mirror has lifted it out of the region of fact into the realm of art": Fire and Ice and Mirrors' Paradoxical Potential
2.3 Metamorphic Cinderellas: Glass and the Grotesque
Chapter 3
Fairy Brides, Floating Princesses, Jabberwocks: Hybrid Uncanniness and Fairyland Pastiches
3.1 Scientific Folktales, Magic Realities, Comedic Sexual Tragedies: Uncanny Fairy Tales and Their Hybrid Genres
3.2 Fairy Brides, Mermaids, Beastly Princes: Hybrid Characters
3.3 " 'Twas brillig, and the slithy toves /Did gyre and gimble in the wabe": Hybrid Expression and Its Uncanny Effects
Chapter 4
Uncanny Wonders: Puzzling Lands, Dragons, and Dreams
4.1 Wonderlands: Imaginary Landscapes Escaping Fixed Interpretations
4.2 "I will try to be wonderful; but I cannot promise first-rate wonders": Troubling and Subversive Wonders
4.3 "That gentle light of evening that is Wonder's native haunt": Wonder, Dreams, and Childhood
Conclusion
