What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes?
The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission - training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories - contribute to the formation and consolidation of theatre traditions.
Through English translations of rare Russian sources, the book expounds on:
*side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933);
*Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices;
*proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs;
*Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and
*Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism.
This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.
Rezensionen / Stimmen
Gives a comprehensive analysis of modern Russian theater, and provides critical analyses of tradition and the transmission process. It is a valuable resource for academicians, researchers and students who study the history of the Russian theater. * International Journal of Russian Studies * The work, based on a rich theoretical reflection and on numerous primary sources, questions the processes of transmission in Russia in the so-called "modern" period. ... The analyzed corpus [is] organized with clarity and ease. * Teatro e Storia (Bloomsbury Translation) * A tightly argued and extensively researched analysis of the Russian Theatre scene in the early decades of the 20th century ... At a time when concerns over cultural appropriation and calls to 'decolonise the curriculum' are ubiquitous this book addresses the question of cross-cultural communication, interaction, and tradition building in a fascinating and innovative way. * Stanislavski Studies * Modern Russian theatre is an essential component in both educational and professional theatres ... Modern Theatre in Russia: Tradition Building and Transmission Process is a bit more specialized, but would certainly be at home in both history and theory courses. Levenson and Aquilina have contributed texts that belong on the shelf of the student of modern Russian theatre, and together they demonstrate the sophistication and enduring influence of both the major and the overlooked voices of the field. * Journal of Dramatic Theory and Criticism * In Modern Theatre in Russia: Tradition Building and Transmission Processes, Stefan Aquilina offers a methodologically savvy and historiographically sophisticated consideration of modern Russian theatre, drawing into his consideration events and figures both well-known and heretofore neglected. His findings enrich not only our understanding of 20th century modern Russian theatre, but also expose the complexity of modernism and its complicated relation to tradition. -- Jonathan Chambers, Bowling Green State University, USA
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Illustrationen
Maße
Höhe: 216 mm
Breite: 138 mm
Gewicht
ISBN-13
978-1-350-24667-6 (9781350246676)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Stefan Aquilina is Director of the School of Performing Arts and Senior Lecturer in Theatre Studies at the University of Malta.
Autor*in
University of Malta, Malta
List of Illustrations
Chapter 1 Introduction
Chapter 2 Stanislavsky: Renewing Tradition through Transmission
Chapter 3 Misinterpretation of Theatre Practice: Stanislavsky-Smyshlaev
Chapter 4 Amateur and Proletarian Theatre in Post-Revolutionary Russia
Chapter 5 Meyerhold: Bias in Transmission Processes
Chapter 6 Lesser-known Names: Rediscovering Female Voices
Bibliography
Index
