Chapter 1: 'change ain't fuckin polite, scuse my language': situating debbie tucker green.- Part I: Dramaturgies of Resistance.- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green's hang.- Chapter 3: 'What about the burn their bra bitches?': debbie tucker green as the Willfully Emotional Subject.- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter.- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang.- Chapter 6: 'I'm a black woman. I write black characters': Black Mothers, the Police, and Social Justice in random and hang.- Chapter 7: 'Almost, but not quite': Reconciling debbie tucker green's Dramaturgy with British Playwriting Studies.- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin', and debbie tucker green's Black-Feminist Anger.- Part II: Affective Encounters.- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green's stoning mary and hang.- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green's Drama.- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green's trade.- Chapter 12: 'Hearing Voices': Performing the Mind in debbie tucker green's Dramatic-Poetics.- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation.- Chapter 14: debbie tucker green and the Work of Mourning.- Chapter 15: Reflections on hang.
