What happens to curatorial practices when treated as multi-voiced, pluralistic, and process-based? Politics of Curatorship: Collective and Affective Interventions asks what curatorship could be when it is freed from its elitist notions. It assembles a
range of different interventions by 32 writers, artists, journalists, and scholars from all over the world. They reflect on curating as a practice of meaning-making that is subject to multiple parameters: contextual, affective, bodily, sensorial, personal, aesthetic, economic, and political. On the occasion of Norient's 20th anniversary, we attempt to disentangle the term curatorship from the received definition as a mere selecting process within the creative realm.
Rezensionen / Stimmen
For 20 years, Norient has been successfully publishing texts, films, and sounds that offer new ways to think about and with music and sound from all over the world. This book is a reminder of what Norient stands for: an urge for deep research that doesn't ignore nor fetishize the senses, and constant questioning, expanding or revising of cultural canons. The volume shows that what has become known as «decolonization» to an often malevolent mainstream discourse might need to be addressed as a matter of curation and curatorship. A more challenging, surprising and less boring way of cultural production is not only a question of what but how one curates. May this book find the readers it deserves and needs.
Diedrich Diederichsen
Sprache
Verlagsort
Zielgruppe
Für Beruf und Forschung
Laien, Wissenschaflter*innen und Kulturschaffende, Festivalorganisator*innen, Kurator*innen, Kunst- und Kulturbereich
Produkt-Hinweis
Maße
Höhe: 23 cm
Breite: 15.5 cm
ISBN-13
978-3-9525444-4-0 (9783952544440)
DOI
Schweitzer Klassifikation
Herausgeber*in
Monia Acciari is an associate professor in film and television history at De Montfort University, U.K.; she researches and writes about film curatorship, film festivals, and Indian cinema (broadly speaking). She is also currently writing her monograph on the History of film festivals in India. She has been visiting professor at Indian universities and delivered practical courses on film festival organization and film history.
Philipp Rhensius is a Berlin-based writer, musician, sociologist, poet, musicologist, curator, and editor of Norient. His projects are driven by the idea that feeling the chains is the first step toward emancipation. Currently, he is doing artistic research on alienation, and works on new formats such as the audio essay and the monthly Norient column «Sonic Worlding» for which he invites contributors to think with rather than only about music and sound.
Acknowledgements: 08
Monia Acciari & Philipp Rhensius: 10
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Ari Robey-Lawrence: On Subversive Gatekeeping for Black QTI Artists When the Dei Tactics Weren't Enough: 22
Gisela Swaragita: The Crime of LIsteingn to What You Want: 32
Salomé Voeglin: On Performing the Curatorial: 38
Monia Acciari: The Public and the Intimate: Documenting a Curatorial Process #2: 64
Rebecca Salvadori: Like a Fragrance in a Room: 78
Philipp Rhensius: The Silent Mass I Carry Around: 88
Steph Kretowicz: Gatekeeping Without a Gate: 98
Nikhila H. and Gita Viswanath: From Cinephilia to Curating a Living Archive of Film Discussions: 108
Sandeep Bhagwati: Beyond the North-West Asian Subcontinent: New Ways of Curating Musicking: 128
Thea Reifler & Phila Bergmann: When Context Comes from Process: The Protozones Method: 138
Sulgi Lie: Haunted by an Invsible Sound: 146
Felipe Larozza: Rejected.Zip: A Photo Essay with Images that Don't Make Sense: 152
Thomas Burkhalter: Norient: From Tastemaking to Multimodal Storytelling: 174
Imaad Majeed: Queering a Space Through Conversation: 200
AGF: Poem: 212
Lendl Barcelos: Splitting Hears: 218
Chafic Tabbara: My Difference Between Watching and Seeing a Film: 224
Monia Acciari: On Exposing the Curatorial "Us": Curatorial Notees #3: 232
Suvani Suri: Curating as Crtical Listening: 254
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19 Un-Curatorial Notes - Memorandum of Our Collective Experiences: 266
Index: 270
Contributors: 274
