"In eighteen exhilarating stories, Caio Fernando Abreu navigates a Brazil transformed by the AIDS epidemic and stifling military dictatorship of the 80s. Tenderly suspended between fear and longing, Abreu's characters grasp for connection. A man speckled with Carnival glitter crosses a crowded dance floor and seeks the warmth and beauty of another body. A budding office friendship between two young men turns into a surprising love, "a strange and secret harmony." One man desires another but fears a clumsy word or gesture might tear their complot to pieces. After so many precarious offerings - a salvaged cigarette, a knock on the door from within the downpour of a dream, or a tight-lipped smile - Abreu's schemes explode and implode. Junkies, failed revolutionaries, poets, and conflicted artists face threats at every turn. But, inwardly ferocious and secretly resilient, they heal. For Caio Fernando Abreu there is beauty on the horizon, mingled with luminous memory and decay"--
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 164 mm
Breite: 136 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-1-953861-20-7 (9781953861207)
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Schweitzer Klassifikation
Caio Fernando Abreu (b. 1948) was one of the most influential Brazilian writers of the 1970s and 80s, despite his work remaining underrecognized outside of Brazil. The author of 20 books, including 12 story collections and two novels, he has been awarded major literary prizes. During the military dictatorship in Brazil (1964–1985), his homoerotic writing was heavily censored and he was soon put on a wanted list, finding refuge in the literary counterculture and eventually by going into self-exile in Europe. In 1994, while living in France, he tested HIV positive. He died two years later in his hometown. He was 47 years old.
Bruna Dantas Lobato was born and raised in Natal, Brazil. A graduate of Bennington College, she received her MFA in Fiction from New York University and is currently an Iowa Arts Fellow and MFA candidate in Literary Translation at the University of Iowa. Her stories, essays, and translations have appeared in The Kenyon Review, Harvard Review, A Public Space, BOMB, and elsewhere.
