A Song for Europe

Rezensionen / Stimmen

'This carefully ordered, interdisciplinary series of essays on the Eurovision Song Contest yields some strong, perhaps counter-intuitive arguments. Ethnicity, of course, in its many manifestations, proves a key issue, but so do relationships between centre and periphery, here frequently characterised in terms of campness - an indication that the entire collection is theoretically rich. The essays, whether detailed studies of individual songs, of the changing strategies of individual countries, or of the larger context, explore how Eurovision is so much more than just a song contest - it is a stage on which various political games are played out and, contrary to the way the show is packaged "on the night", observing the strategies pursued by some countries over the years really does raise questions about whether Eurovision is about winning. This is a refreshing collection, another valuable demonstration of the deep cultural understanding available through consideration of the supposedly banal, which is one reason why so many of us became academically interested in pop music in the first place.' Allan Moore, University of Surrey,UK 'This volume offers a compelling range of interdisciplinary perspectives written by a first-rate group of international scholars. The range of both authors and perspectives is only fitting for the first academic study of the televisual-musical spectacle that anticipated the widespread contemporary 'Idol' phenomenon. In addition to discussing the Eurovision Song Contest, A Song for Europe provides a fine introduction to readers interested in understanding the multi-media context that is increasingly the primary site for the reception of music. This volume also serves the valuable purpose of raising awareness of the contest among readers outside of Europe.' David Brackett, McGill University, Canada 'Raykoff and Tobin's collection of essays is [...] a fresh and thought-provoking read, as the contributions are theoretically informed, wel