
Cinema Raw
Beschreibung
FEATURES:
Behind-the-scenes case studies for the next generation of low budget cinema cameras
Recommended gear lists to begin your raw shooting experience
Full color post workflows that help you realize your boldest cinematic visions
A companion website (www.kurtlancaster.com) featuring raw projects covered in the book; video interviews with the creators of the Digital Bolex, Joe Rubinstein and Elle Schneider; and resources for further study of raw cinema
Rezensionen / Stimmen
"Lancaster's Cinema Raw provides a great overview and history on the recent but densely complicated process of raw video shooting and capture."- Jon Yi, 16mm and digital cinematography professor at New York University's Tisch School of the Arts, www.jonathanyi.com
"Cinema Raw is essential for educators, students, and practitioners who want to understand new technologies and how to harness them for the kind of quality in our filmmaking that, until recently, was just a dream for those without the backing of millions of dollars in production support."
-Ellen Spiro, documentary film professor at the University of Texas, Austin; winner, The National Board of Review for Body of War; www.spirofilms.com
"Kurt Lancaster gets you where you need to be so you can make this incredible but complicated recording format work for you. He also tells you why it's not for every job. With the essential knowledge found in Cinema Raw you will save hours, days, and possibly weeks of your time."
-Philip Bloom, filmmaker, www.philipbloom.net
Weitere Details
Weitere Ausgaben
Person
Inhalt
Introduction: What Camera to Choose? What Story To Tell?-DSLRs, RED, Sony, and the Promise of Cinema Raw With the Next Generation of Low Budget Cinema Cameras
Creating a New Paradigm: Behind the Scenes in Creating Low Budget Cinema Cameras
Is There Really a Difference When Shooting Raw? A Case Study in Shooting Compressed versus Shooting Raw
Film Gear for Raw Filmmakers: A Low-Budget List
Part II: Raw Production Case Studies [drawn from on-set observations and/or interviews of the filmmakers from existing films]
On-camera Features and Menu Selections of Raw Cinema Cameras
One Small Step: Shooting with the Digital Bolex D16
Shooting with Blackmagic's Digital Cinema Camera
Shooting with Ikonoskop's A-Cam dII
Shooting with Weisscam's T-CAM
Part III Raw Postproduction
Postproduction Workflow-Getting the Footage onto the Computer and Editing with raw
Color Correcting and Color Grading with Raw
Conclusion-The Future of Low Budget Digital Filmmaking
Systemvoraussetzungen
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