Jung and Film II: The Return

List of Films. Hauke, Hockley, Introduction. Part I: Image and Psychotherapy. Klenck , Hurwitz, The Decisive Image in Documentary Film, in Jungian Analysis. Hewison, "I Thought He Might Be Better Now": A Clinician's Reading of Individuation in Breaking The Waves. Zanardo, Love, Loss, Imagination and The Other in Soderbergh's Solaris. Izod, Dovalis, Birth: Eternal Grieving of the Spotless Mind. Hauke, Soul and Space in No Country for Old Men. Part II: Image and Theory. Fredericksen, Jungian Film Studies: The Corruption of Consciousness and the Nurturing of Psychological Life. Hauke, "Much Begins Amusingly and Leads into the Dark": Jung's Popular Cinema and the Other. Jacobs, Contrasting Interpretations of Film: Freudian and Jungian. Izod, Individual Interpretations: A Response to Michael Jacobs. Hockley, The Third Image: Depth Psychology and the Cinematic Experience. Rowland, The Nature of Adaptation: Myth and the Feminine Gaze in Ang Lee's Sense and Sensibility. Singh, Cinephilia: Or, Looking for Meaningfulness in Encounters with Cinema. Miller, Twilight: Discourse Theory and Jung. Bassil-Morozow, Individual and Society in the Films of Tim Burton. Part III: Image, Type and Archetype. Dougherty, The Shadow: Constriction, Transformation and Individuation in Campion's The Piano. Lennihan, The Dark Feminine in Aronofsky's The Wrestler. Paganopoulos, The Archetype of Transformation in Maya Derren's Film Rituals. Palmer, Coppola's The Conversation: Typology and a Caul to the Soul. Waddell, Navel Gazing: Introversion/Extraversion and Australian Cinema. Beebe, The Wizard of Oz: A Vision of Development in the American Political Psyche.