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This book examines the interaction between art, design, technology and the social sciences. It features 56 papers that were presented at the International Symposium on Research of Arts, Design and Humanities, ISRADH 2014, held at Sutera Harbour Resort, Kota Kinabalu, Malaysia.
Complete with helpful diagrams and tables, the papers cover such topics as artificial reef development, racial discourse in the social media, stoneware as a replacement material for modern ventilation walls, and factors contributing to internet abuse in the workplace. Overall, the coverage focuses on global design trends and demands with an emphasis on people, business and technology.
Inside, readers will find information on art and science in industrial applications; art management and entrepreneurship; cognitive, psychological and behavioral science; design technology and sustainable development; humanities and social applications in quality of life; social implications of technology; and visual communication and technologies.
Taking a multi-disciplinary approach, the book features insightful discussions among academicians and industrial practitioners on the evolution of design that will appeal to researchers, designers and students.
Oskar Hasdinor Hassan is currently a teaching staff in the Faculty of Art and Design, Universiti Teknologi MARA (UiTM), Malaysia. He specializes in ceramic materials and processing for undergraduate students. He was in Jülich Research Centre, Germany, as a visiting scientist working on the Solid Oxide Fuel Cells (SOFCs) project which was also part of his PhD research work at Ruhr Universität Bochum. His research interests are focused on ceramic and manufacturing problems that involve design as a bridge between the two distinct discipline of engineering and design. Much of Oskar's recent research has been published in more than 30 papers, indexed in ISI/Scopus. He also chairs several international conferences under the sponsorship of IEEE Malaysia.
Shahriman Zainal Abidin is an Industrial Designer graduate and currently a teaching staff in Faculty of Art and Design, UiTM. His teaching interests and experience are in the areas of design methodology, industrial design research and interaction design and automotive design. He received his PhD from the Norwegian University of Science and Technology in the field of Formgiving. His expertise resonates around the field of Formgiving research in automotive. Currently he is seconded to the Department of Research and Development in Proton Holdings Bhd., a Malaysia Automotive Company. He is in charge with creating the new Proton DNA design of the national car.
Rusmadiah Anwar is a lecturer of Faculty of Art & Design, UiTM. He became an Associate Member of Institute of Electrical and Electronics Engineers (IEEE) Malaysia and Collective Member (University) for the International Academy of Ceramics, Geneva (NGO official partner of UNESCO) since 2011. He is a research member of the Formgiving Design Research Initiative Group, UiTM and is currently an active researcher focusing on Practiced-Based Design and Laboratory Based Design Method in investigating design and human behaviour. He has published his
Muhamad Fairus Kamaruzaman is a research fellow in Formgiving Design Research Initiative Group in UiTM. As a senior lecturer he is actively engaged in researching the fields of Assistive Design Technology, Mobile Learning, Human Behaviour and the impact of the designed environment on quality of life. He has published more than 25 papers, of which many are indexed publications. He is also a member of the Institute of Electrical and Electronics Engineers (IEEE), Malaysia Design Council and has been appointed as publication Chair and technical committee for various IEEE conferences.
1: Revisited Artificial Reef Development in Malaysia.- 2: Ceramic Art Form Alternative Fabrication Using Sketch on Clay.-3: Decorated Elements of Traditional Wood Carving in Frieze Pattern on Terengganu Boats.- 4: Incorporation of Canon Lens Polishing Sludge in Stoneware : An Exploratory Study.- 5: Reuse of Palm Oil Sludge in Stoneware: An Eco-Friendly Project.- 6: Classification Design Motifs of Traditional Malay Woodcarving.- 7: Iconic Transformation From Hinduism to Islamic Art.- 8: The Philosophy and Geometric Patterns of Malay Woodcarving.- 9: Reformulating Glaze Defects Recipe to be Recycled as Ceramic Surface Treatment.- 10: Factors Contributing to Internet Abuse in the Workplace: Behaviour in SMEs.- 11: Socio-economic Study of Arenga pinnata Smallholders in Malaysia.- 12: Theoretical Framework on Malaysia Design Industry: Based From Uk Design Research 2010.- 13: A Hypothetical Methodology of Transferring Graduates Knowledge Through Ceramic Art Entrepreneurship.- 14: The Role of Digital Educational Games Design Learning Environment: An Empirical Study.- 15: Graduates Employability Skills: Hard and Soft Skills Towards Employee Productivity From the Perspective of Malaysian Employers.- 16: 'Formal, Medium & Subject Matter' From the Content Making Framework.- 17: Photodegradation of Materials: An Overview.- 18: When Race Meets Technology: Examining Racial Discourse in the Social Media.- 19: The Implications of E-book on Print-Book Industry- Will Printers Survive?.- 20: Comparison Between Technical Training and Induction Programme Using Human Bio-Energy Field Analysis (Aura).- 21: The Potential of Local Clay as Alternative Body for Ceramic Craft: A Case Study in Sabak Bernam.- 22: Hydroxyapatite Material Study for Synthetic Skull Design Construction for Slip Casting Method.- 23: Product Design Blueprint in 'Look East Policy 2.0'.- 24: Local Ceramic Stoneware Body Exploration as Alternative Artificial Walet Swiftlets Nest.- 25: Impact of Fibre Wall Raku
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